British Etchings
alwayslookinoutmelissa brownmadndfan1530'sdjyella
Chrisroantree aka Chris Roantree aka Christopher Roantree (British, Angleterre, England) - Materia A
Chrisroantree aka Chris Roantree aka Christopher Roantree (British, Angleterre, England) - Materia A
Alexander Runciman (British; 1736–1785)Perseus Arriving to Slay Medusa Etching, 1774 Yale Center for
Alexander Runciman (British; 1736–1785)Perseus Arriving to Slay Medusa Etching, 1774 Yale Center for
CalmJoseph Mallord William Turner (British; 1775–1851)April 23, 1812Ink on paper, mezzotint over etc
CalmJoseph Mallord William Turner (British; 1775–1851)April 23, 1812Ink on paper, mezzotint over etc
Modern Grace, or the Operatical Finale to the Ballet of Alonzo e CaroJames Gillray (British; 1756–18
Modern Grace, or the Operatical Finale to the Ballet of Alonzo e CaroJames Gillray (British; 1756–18
iamjapanese:Derrick Greaves （British, b. 1927）Untitled (Vase)    two etchings with aquatint printed
iamjapanese:Derrick Greaves （British, b. 1927）Untitled (Vase)    two etchings with aquatint printed
Susie Perring (British, based South London, England) - Just Looking  Aquatint Etching
Susie Perring (British, based South London, England) - Just Looking  Aquatint Etching
David Hockney (British, b. 1937, Bradford, Yorkshire, UK) - A Black Cat Leaping, 1969 (From the stor
David Hockney (British, b. 1937, Bradford, Yorkshire, UK) - A Black Cat Leaping, 1969 (From the stor
Helen Fay (British, b. 1968, South Shields, England) - Flo, 2015   Etching
Helen Fay (British, b. 1968, South Shields, England) - Flo, 2015   Etching
Summer Amusement at Margate, or a Peep at the MermaidsThomas Rowlandson (British; 1757–1827)1813Hand
Summer Amusement at Margate, or a Peep at the MermaidsThomas Rowlandson (British; 1757–1827)1813Hand
L'archet brisé = The Broken BowLouis Gallait (Belgian; 1810–1887)ca. 1865EtchingThe British Museum,
L'archet brisé = The Broken BowLouis Gallait (Belgian; 1810–1887)ca. 1865EtchingThe British Museum,
A Voluptuary Under the Horrors of DigestionJames Gillray (British; 1756–1815)Etching and stipple wit
A Voluptuary Under the Horrors of DigestionJames Gillray (British; 1756–1815)Etching and stipple wit
Study of an arm with hand gripping hilt of sword (from Benjamin Robert Haydon’s “Macbeth”)Thomas Lan
Study of an arm with hand gripping hilt of sword (from Benjamin Robert Haydon’s “Macbeth”)Thomas Lan
A View on the Banks of the ThamesThomas Rowlandson (British; 1757–1827)1807Hand-colored etching Roya
A View on the Banks of the ThamesThomas Rowlandson (British; 1757–1827)1807Hand-colored etching Roya
The Fall of SatanJames Barry (Irish; 1741–1806)1777Etching and aquatint in brown inkThe British Muse
The Fall of SatanJames Barry (Irish; 1741–1806)1777Etching and aquatint in brown inkThe British Muse
The Fall of SatanJames Barry (Irish; 1741–1806)1797EtchingThe British Museum, London | © The Trustee
The Fall of SatanJames Barry (Irish; 1741–1806)1797EtchingThe British Museum, London | © The Trustee
Satan Rising from the Burning LakeWilliam Strang (British; 1859–1921)1896Etching In: Paradise
Satan Rising from the Burning LakeWilliam Strang (British; 1859–1921)1896Etching In: Paradise
Francisco Goya aka Francisco José de Goya y Lucientes (Spanish, 1746-1828, b. Fuendetodos, Sp
Francisco Goya aka Francisco José de Goya y Lucientes (Spanish, 1746-1828, b. Fuendetodos, Sp
Percy Smith aka Percy John Delf Smith aka Percy John Delf Smith, R.D.I. (English, 1882-1948, En
Percy Smith aka Percy John Delf Smith aka Percy John Delf Smith, R.D.I. (English, 1882-1948, En
Neptune (detail)Pierre Augustin Massé(French; fl. late 19th century) after Charles Napier Ken
Neptune (detail)Pierre Augustin Massé(French; fl. late 19th century) after Charles Napier Ken
POPULAR ENGLISH ART, 1945. Murders and puppet shows… apparently the English have very eclecti
POPULAR ENGLISH ART, 1945. Murders and puppet shows… apparently the English have very eclecti
Prev PageNext Page