Carlossaenzdetejada

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carlos-saenz-de-tejada: Portrait of Benvenuti Gonzalez del Campillo, 1920, Carlos Saenz de Tejada

carlos-saenz-de-tejada: The olive groves of Mallorca, 1938, Carlos Saenz de Tejada

carlos-saenz-de-tejada: Houses in Buitrago, 1920, Carlos Saenz de Tejada

carlos-saenz-de-tejada: Girl seen from behind, Luisita, 1917, Carlos Saenz de Tejada

carlos-saenz-de-tejada: A sad girl, 1921, Carlos Saenz de Tejada

carlos-saenz-de-tejada: Sketch of Curtain For The Representation Of Don Juan Tenorio Treatal In Thea

carlos-saenz-de-tejada: Colombina, 1950, Carlos Saenz de Tejadawww.wikiart.org/en/carlos-sae

carlos-saenz-de-tejada: Houses in Buitrago, 1920, Carlos Saenz de Tejada

carlos-saenz-de-tejada: Don Juan Tenorio. The abduction of Dona Ines, 1946, Carlos Saenz de Tejada

carlos-saenz-de-tejada: Colombina, 1950, Carlos Saenz de Tejadawww.wikiart.org/en/carlos-sae

carlos-saenz-de-tejada: Attorneys, 1950, Carlos Saenz de Tejada

carlos-saenz-de-tejada: Colombina, 1950, Carlos Saenz de Tejadawww.wikiart.org/en/carlos-sae

The Life of St. Ignatius Loyola. Plate 6. The vision at La Storta (outside Rome) I will be favourabl

Don Juan. Study of illustration., Carlos Saenz de Tejada

Cover for ‘Verticle’ magazine, 1937, Carlos Saenz de Tejadawww.wikiart.o

carlos-saenz-de-tejada: Sketch of Curtain For The Representation Of Don Juan Tenorio Treatal In Thea

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