Criterion

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kitchentable: I don’t know if I believe anything that I’m saying

Jon Reischl. Troiscouleursblanc1994. Oil on wood. 29in. x19in.jdreischl.tumblr.com

Judex (1963)“Judex, in the original serial, had a carefully planted backstory explaining why h

Jon Reischl. Certifiedcopy2011W, oil on wood. 24″ x 24″

Jon Reischl. Amarcord1973. Oil on canvas. 40in x 40in.jreischl.tumblr.com

criterioncorner: Behind-the-Scenes Photos from THE SILENCE OF THE LAMBS “Believe me, you

Jon Reischl. Thethirtyninesteps1935 (Pamela). Oil on wood. 11in x 16in.jreischl.tumblr.com

Behind the scenes of The Lady Vanishes (1938) Copyright The Criterion Collection

Jean-Luc Godard 1960 interview

wiha-jun: THE CRITERION CHALLENGE 2022 — WEEK 2: A MOVIE FROM THE 1920s LA PASSION DE JEA

Dietrich & von Sternberg in Hollywood, The Criterion Collection (2018) www.criterion

lisbethsalander-deactivated2018: Trois Couleurs: Blanc, 1994 (dir. Krzysztof Kieslowski)

Days of Heaven- Terrence Malick

feebls: “Mabel is not crazy, she’s unusual.  She’s not crazy, so don&rsqu

Amarcord - Frederico Fellini

For this week’s Double Feature on the Criterion Channel, identities warp and merge in these st

truefoes: Rashomon (dir. Akira Kurosawa — 1950)

Faces (1968)

jasoncryer: It’s finally official, Eraserhead is finally coming to the Criterion Collection wi

In The Mood For Love (2001)

In the Realm of the Senses (1975) by Nagisa Oshima

The Season 2 Premiere of The Criterinot Podcast is live now! Nancy Jo Sales (journalist, contributin

oldfilmsflicker: Female Filmmaker Friday: Sweetie, 1989 (dir. Jane Campion)

Repulsion (1965)

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