Design Museums

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Design for stained glass, late 19th century, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSi

Stained glass: hall window, 1890–1900, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSi

Evergreen tree, Frederic Edwin Church, 1844, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSi

Alpine Valley, Frederic Edwin Church, 1868, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSiz

Still-life, Edna W. Heese, 1911, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: H x W: 2

Console table, ca. 1775, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: Image: 20.1 x 27

Elevation of a church, 1746-1809, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: 20 x 27

Woman, Robert Frederick Blum, 1880, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: 17.5

Fender, 1746–1809, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: Image: 13 x 9.4

Two doorknobs, 1746–1809, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: Image: 20

Candlestick, 1746–1809, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: Image: 13.4

Console table, ca. 1795, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: Image: 18.1 x 11

Sketchbook Page, Kenyon Cox, 1875, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: 10.1 &

Design for a Waistcoat, 1780-1790, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: 17.7 &

Trude Petri, Cookie jar with a high grip, 1957. KPM Manufakturarchiv, Berlin. Via museumsportal

✴ geometric shapes in the eye of the beholder in Vienna ✴ villacollezioneboutique.com/

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