Diaspora

---

msbrycebluntpierrejeanamardisneyskylinerroadmanaustincarl1le

---

LIVE

We are a great people. We can and will THRIVE without colonialism.

Shooting primarily in the United States and the Caribbean, #DeanaLawson is inspired by the expressio

superheroesincolor: I Don’t Belong Here: A Memoir of Race, Identity, Breakdown and Recovery (2021)In

Rosselló, the hypocrite. #BoricuaDiaspora #LaRespuestaMedia #BoricuaPower #DiasporaBoricua #LaRespue

diaspora:diaspora:diaspora:diaspora:diaspora:On this day; September 30th, 15 years ago, 12-year-old

africaisdonesuffering:“Many Africans gain their perceptions of the Diaspora through a colonized, Whi

biscuitsarenice:Peju Alatise’s ‘Flying Girls’ : Diaspora Pavilion at the Venice Biennale 2017

diasporadramazine:Diaspora Drama is a zine celebrating creative poc. We’re looking for cool, weird,

SPREAD3 diaspora empanadas looking like my last two weeks #decolonizingdumplings

biscuitsarenice:Peju Alatise’s ‘Flying Girls’ : Diaspora Pavilion at the Venice Biennale 2017

Agradeço meu amigo @highraffpor ter me convidado a participar da expo coletiva virtual @todosportodo

“Entre los manglares” por @bqjibaro “Ese Puerto Rico estancado en la corrupción de la politiquería,

| Summer Sisterhood | part 2crédit photos: @cl4ire0bscurephotography & Keenan CaduceusIG https:/

| Summer Sisterhood | part 1crédit photos: @cl4ire0bscurephotography & @virginiaquadjovie​/https

Protesting for Puerto Rico at the US Capitol.

Model: @simplyasantewaa

diaspora:Today, November 29th 2018, commemorates the 40th anniversary of the UN’s International Day

Ahora y siempre #palestina #palestina #bds #colonialism #boricuadiaspora #puertoricandiaspora #LaRes

Models: @iman_and_khadijahPh: @joshuakissi

africandiasporaphd:Art by Jules Arthur#ADPhD #history#slavery#archive#sources#diaspora ift.tt

mademoiselleclipon:Cécile Smetana Baudier  / Diaspora; Costa Chica

Saniyya Saleh, from ‘Exile’,Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab Wom

Breaking Home Ties, Thomas Hovenden, 1890

In Lyle Ashton Harris’s exhibition “Flash of the Spirit,” the artist uses himself as a lapidar

Prev PageNext Page