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grupaok:Jack Pierson, as if he belonged. No one, 1991
grupaok:Paul Klee, Nichtkomponiertes im Raum (Uncomposed in Space), 1929, as seen on the cover of th
grupaok: Jacob Lawrence, from the series The Legend of John Brown, 1941
grupaok:Robert Frank, Belle Isle, Detroit, 1955
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Edvard Munch, The Woman and the Bear, 1908-09. From Edward Gorey’s bequest to the Wadsworth
grupaok:Lynda Benglis, Adhesive Products, Walker Art Center, Minneapolis, 1971
grupaok:Lynda Benglis, Eat Meat, 1969 (aluminum cast, 1974)Decomposition into the formless ooze as t
grupaok:Moki Karlsson Cherry and Neneh Cherry in their home in Gamla Stan, Stockholm, late 1960s
grupaok: Robert Smithson, Spiral Jetty under construction, Rozel Point, Great Salt Lake, 1970. Photo
grupaok:Makoto Nakamura, Shiseido Nail Enamel advertisement, 1978: “The Drama of A Woman Begins at t
grupaok:Adger Cowans, Shadows, New York, 1961
grupaok:Betye Saar, Mystic Chart for an Unemployed Sorceress, 1964
grupaok: Kenneth Josephson, Chicago, 1972. Gelatin silver print.
grupaok:Salon Carré, Louvre, after the theft of the Mona Lisa, 1911 — from the Archives de Paris
blackcontemporaryart:grupaok:David Hammons, Bliz-aard Ball Sale, Cooper Square, New York, 1983David
grupaok:Jacob Lawrence, The Migration Series: One of the Largest Race Riots Occurred in East St. Lou
grupaok: Suzan Pitt working on the miniature theater set, with an audience of clay figures, from her
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Nicole Eisenman, Sloppy Barroom Kiss, 2011
grupaok:Krzysztof Bednarski, Polish Thanatos: In Memory of Friends from Jerzy Grotowski’s Theatr Lab
grupaok:Lyubov Popova, Construction for the stage production of The Earth in Turmoil, 1923 — via Roa
grupaok:Lazar Khidekel, Cosmic Architecton, 1922
grupaok:Sophie Taeuber-Arp, Equilibrium, 1932
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