Grupa Ok

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grupaok:Filmmaker Shirley Clarke assembling television monitors for a dawn screening of the Tee Pee

grupaok:Nicole Eisenman, Sloppy Barroom Kiss, 2011

grupaok: Moyra Davey, Trust Me (detail), 2011

grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b

grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b

grupaok:Toni Morrison, Sula, 1973, with late-1970s paperback cover art by illustrator Roger Kastel—w

grupaok:Jack Pierson, as if he belonged. No one, 1991

grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b

grupaok: Francesca Woodman, Angels, Rome, 1977–78

grupaok: Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection

grupaok: Paul Mpagi Sepuya, Self-portrait Study with Two Figures (1506), 2015

grupaok: Dalton Paula, João de Deus Nascimento, 2018

grupaok:Teresita Fernández, Fire (United States of the Americas), 2017

grupaok:Jack Pierson, as if he belonged. No one, 1991

grupaok: Ballerinas Kennedy George, 14, and Ava Holloway, 14, pose in front of a monument of Confede

grupaok: Francesca Woodman, Untitled, Italy, 1977–78

grupaok:Carolee Schneemann, Up to and Including Her Limits, 1973–77

grupaok:Moki Karlsson Cherry and Neneh Cherry in their home in Gamla Stan, Stockholm, late 1960s

grupaok:Lee Krasner, Desert Moon, 1955

grupaok:Le Corbusier painting a mural at Eileen Gray’s E1027 House, 1939. In the buff, why not.

grupaok: Makoto Nakamura, Shiseido Nail Enamel advertisement, 1978: “The Drama of A Woman Begins at

grupaok: Moyra Davey, Trust Me (detail), 2011

grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b

grupaok:John Divola, Dark Star, 2006

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