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grupaok:Andrzej Wajda, Popiół i diament (Ashes and Diamonds), poster, 1958
grupaok:Anonymous Photographer, Oskar Kokoschka’s Alma-Doll, Munich 1919. ‘Kokoschka commissio
grupaok: Mira Schendel, London 1966
grupaok: Jean Dubuffet, Building Facades, July 1946 [for prima porta]
grupaok: Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection
grupaok:Ballerinas Kennedy George, 14, and Ava Holloway, 14, pose in front of a monument of Confeder
grupaok: Ewa Partum, Stupid Woman — Performance, BWA Krakow, 1981
grupaok:George Romero, Night of the Living Dead, 1968
grupaok: Suzan Pitt working on the miniature theater set, with an audience of clay figures, from her
grupaok:Moki Karlsson Cherry and Neneh Cherry in their home in Gamla Stan, Stockholm, late 1960s
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok: Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection
grupaok:Emma Kunz, Work no. 69, undated
grupaok:Robert Barry, Something which is very near in place and time, but not yet known to me, Febru
grupaok: Dan Flavin, Untitled (For Elizabeth and Richard Koshalek), 1971 — installation view, Works
grupaok:The final night at the Paradise Garage, 1987
grupaok: RIP Ornette
grupaok: Gerhard Richter, Diagram, 1998
grupaok: VOID CALIFORNIA opens tonight at the Wattis Institute in San Francisco.Void California surv
shihlun: grupaok: Keith Haring, No Sin Art Sin Fat Sin No Fat, xerox collage, 1979
grupaok: Gee Vaucher, collage for International Anthem 2, 1979 Margarine the Leaderine
grupaok: Nancy Holt, Views Through a Sand Dune, Narragansett Beach, Rhode Island, 1972
grupaok:Jack Pierson, as if he belonged. No one, 1991
grupaok:Asger Jorn and Guy Debord, page from Fin de Copenhague, published by Bauhaus Imaginiste, 195
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