Grupaok
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grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Laura Aguilar, In Sandy’s Room, 1989
grupaok:Laura Aguilar, In Sandy’s Room, 1989
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Gallery at the Newark Public Library, c. 1910
grupaok:Gallery at the Newark Public Library, c. 1910
grupaok:Glenn Ligon, Give us a Poem (Palindrome #2), 2007“Glenn Ligon made this neon piece […] in 20
grupaok:Glenn Ligon, Give us a Poem (Palindrome #2), 2007“Glenn Ligon made this neon piece […] in 20
grupaok:Edvard Munch, The Woman and the Bear, 1908-09. From Edward Gorey’s bequest to the Wadsworth
grupaok:Edvard Munch, The Woman and the Bear, 1908-09. From Edward Gorey’s bequest to the Wadsworth
grupaok:Anne Collier, Folded Madonna Poster (Steven Meisel), 2007
grupaok:Anne Collier, Folded Madonna Poster (Steven Meisel), 2007
Iwao Yamawaki (Japanese, 1898–1987), Lunch, 12–2pm, 1931 — at the Bauhaus, Dessau (via grupaok).
Iwao Yamawaki (Japanese, 1898–1987), Lunch, 12–2pm, 1931 — at the Bauhaus, Dessau (via grupaok).
grupaok:Thomas Ruff, Portrait: G. Benzenburg, 1985
grupaok:Thomas Ruff, Portrait: G. Benzenburg, 1985
grupaok:A crowd of visitors to Frederick Kiesler’s Raumstadt display, 1925
grupaok:A crowd of visitors to Frederick Kiesler’s Raumstadt display, 1925
grupaok:Katharina Sieverding, Kontinentalkern XXV/86, 1986 
grupaok:Katharina Sieverding, Kontinentalkern XXV/86, 1986 
grupaok:Giorgio Vasari, The Last Supper, 1543 — reassembled and restored in 2013 by the Opificio del
grupaok:Giorgio Vasari, The Last Supper, 1543 — reassembled and restored in 2013 by the Opificio del
grupaok:Lynda Benglis installing Adhesive Products, Walker Art Center, 1971
grupaok:Lynda Benglis installing Adhesive Products, Walker Art Center, 1971
grupaok:Carole Condé and Karl Beveridge, Signs, 1975: “INSTITUTIONS ENJOY CRITICISM AS LONG AS IT DO
grupaok:Carole Condé and Karl Beveridge, Signs, 1975: “INSTITUTIONS ENJOY CRITICISM AS LONG AS IT DO
grupaok:Lee Lozano, Untitled, 1969Julian Myers-Szupinska, “Artists and Workers,” Mousse 40, 2013That
grupaok:Lee Lozano, Untitled, 1969Julian Myers-Szupinska, “Artists and Workers,” Mousse 40, 2013That
grupaok:Exposition of paintings confiscated from the Budapest bourgeoisie in the Budapest Palace of
grupaok:Exposition of paintings confiscated from the Budapest bourgeoisie in the Budapest Palace of
grupaok:Francisco Goya, The Burial of the Sardine (Corpus Christi Festival on Ash Wednesday), 1814
grupaok:Francisco Goya, The Burial of the Sardine (Corpus Christi Festival on Ash Wednesday), 1814
grupaok:Martin Wong, Untitled (Dream Fungus), 1970 — P.P.O.W. GalleryMartin Wong: Painting is Forbid
grupaok:Martin Wong, Untitled (Dream Fungus), 1970 — P.P.O.W. GalleryMartin Wong: Painting is Forbid
grupaok:Robert Barry, Something which is very near in place and time, but not yet known to me, Febru
grupaok:Robert Barry, Something which is very near in place and time, but not yet known to me, Febru
grupaok:Suzan Pitt, Asparagus, 1979 — animation still
grupaok:Suzan Pitt, Asparagus, 1979 — animation still
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Otto Dix, Hugo Erfurth with Dog, 1926
grupaok:Otto Dix, Hugo Erfurth with Dog, 1926
grupaok:Anne Collier, Woman Crying #2, 2018
grupaok:Anne Collier, Woman Crying #2, 2018
grupaok:Anne Collier, Woman Crying #2, 2018
grupaok:Anne Collier, Woman Crying #2, 2018
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