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mcrgotrcbbic:Margot Robbie + Costume Institute Gala: ‘Manus X Machina: Fashion In An Age of Te
1951-52, Clyfford Still, 1951, Art Institute of Chicago: Contemporary ArtIn the late 1940s, Clyfford
Untitled, Clyfford Still, 1958, Art Institute of Chicago: Contemporary ArtIn the late 1940s Clyfford
mia-japanese-korean: Half Moon Bridge, Yoshida Tōshi, 1941, Minneapolis Institute of Art: Japanese a
mia-asian-art: Pendant, Date Unknown, Minneapolis Institute of Art: Chinese, South and Southeast Asi
welcome to the institute
The Cowherd, Claude Lorrain, 1636, Art Institute of Chicago: Prints and DrawingsGift of Mr. and Mrs.
Harbor Scene with Rising Sun, Claude Lorrain, 1634, Art Institute of Chicago: Prints and DrawingsCla
Olivier Mosset, Toblerone, 2003
fundamentalpainting:Robert Holyhead Untitled (Edge) 2014
medverf:Jim LeeUntitled (Canine Devotion), 2014
Rainer Splitt, Blauer Guss, 2005
Willem de Kooning, Untitled #2, 1986
aqqindex:Richard Artschwager, Chair, 1966
Franz Kline, Four Studies,1946
mentaltimetraveller:Anicka Yi, DIVORCE, April – June 2014, 47 Canal, New York
Kianja Strobert, Going On Foot, 2011
Richard Diebenkorn, #4, 1978 &n
ruipin:Dan FlavinUntitled,1969
Bobby Dowler, Painting-Object_(c01.06.14)VL, 2014
our-blue-nights:Barnett NewmanUntitled, 1960
mentaltimetraveller:Davina SemoTHE FORCE OF THE TRUST I PUT IN YOU, MAKES YOU TRUST THE DOMINANT FOR
James Balmforth, The Consumptive Sublime, stills from video, 2009
Larissa Lockshin, install from “Showtime” at Johannes Voght Gallery, 2014
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