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Ed Ruscha, Music from the Balconies, 1984              

Tamar Halpern, A Bunch of Fucking Flowers, 2008

James Turrell, Arrowhead, 2009

Sol Lewitt, Title page from Straight lines in four directions and all their possible combinations, 1

Some phone pics from my solo show at The Institute for Art and Olfaction in Los Angeles. Open throug

Buoy Landscape II, Sam Gilliam, 1982, Minneapolis Institute of Art: Prints and Drawingsgeometric des

Fire, Sam Gilliam, 1972, Minneapolis Institute of Art: Prints and Drawingsabstract image; vertical b

clyfford-still: 1951-52, Clyfford Still, 1951, Art Institute of Chicago: Contemporary ArtIn the late

Study for “Coffee Thyme”, Sam Gilliam, 1980, Minneapolis Institute of Art: Print

elaine-de-kooning: Untitled, Elaine de Kooning, 1981, Minneapolis Institute of Art: Paintingsabstrac

Coffee Thyme I, Sam Gilliam, 1980, Minneapolis Institute of Art: Prints and DrawingsAbstraction feat

Coffee Thyme I, Sam Gilliam, 1980, Minneapolis Institute of Art: Prints and DrawingsColor run for pu

Anton zolotov, Portrait of Joe, 2009

Imi Knoebel, Ohne Titel (Messerschnitte), 1977

Kate Hiley, From Dusseldorf, 2013

Helen Frankenthaler, tales of genji iv, 1998

David Hockney, Lithographic Water Made Of Lines And Crayon (Pool II-B), 1978-80

Anthony Caro, Alpine, 2012

Shaun McDowell, Swiss Jolly, 2011

Sol Lewitt, Corner Piece #4, 1976

Howard Hodgkin, Red Sky at Night, 2001-11

christophergreenartist: Exhibition view: ‘Merry Chris Más with Christopher Green &a

nyctaeus:Yoko Ono, ‘Danger Box’, 1971

biggestpaintingshowever:Patricia Treib Glass Clock, 2013

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