Japanese Calligraphy
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Jōkyōshū = Aboard the Ship of InspirationItô Jakuchû (Japanese; 1716–1800), artistDaiten Kenjō (Japa
Jōkyōshū = Aboard the Ship of InspirationItô Jakuchû (Japanese; 1716–1800), artistDaiten Kenjō (Japa
Gorgeous and organic - Hiragana jewellery by Japanese calligraphy designer Saori Kunihiro
Gorgeous and organic - Hiragana jewellery by Japanese calligraphy designer Saori Kunihiro
beifongkendo:Famous haiku by Basho (furuike ya/kawazu tobikomu/mizu no oto - an old pond, a frog jum
beifongkendo:Famous haiku by Basho (furuike ya/kawazu tobikomu/mizu no oto - an old pond, a frog jum
beifongkendo:Original painting by Hokusai of a Yoshiwara courtesan, with poems by Bakin and Ikku (ca
beifongkendo:Original painting by Hokusai of a Yoshiwara courtesan, with poems by Bakin and Ikku (ca
Writing case, 柳橋神社蒔絵硯箱, 1603-1650. Laquer, gold, mother-of-pearl, wood. Japan. Museum für Ostasiatis
Writing case, 柳橋神社蒔絵硯箱, 1603-1650. Laquer, gold, mother-of-pearl, wood. Japan. Museum für Ostasiatis
Lord Tokugawa Nariaki, Snow, Moon, Flower Calligraphy, Setsugetsuka, 1840-60. Paintings, hanging scr
Lord Tokugawa Nariaki, Snow, Moon, Flower Calligraphy, Setsugetsuka, 1840-60. Paintings, hanging scr
Calligraphy, No. 3 from the series The Four Accomplishments (Kinkishoga) by Yashima Gakutei, 1810
Calligraphy, No. 3 from the series The Four Accomplishments (Kinkishoga) by Yashima Gakutei, 1810
AnIllustration of Writing Brushes,1868Color woodcut1908In: Kokushi daijiten = National History Unabr
AnIllustration of Writing Brushes,1868Color woodcut1908In: Kokushi daijiten = National History Unabr
An Illustration of Writing Brushes, 1868Color woodcut1908In: Kokushi daijiten = National History Una
An Illustration of Writing Brushes, 1868Color woodcut1908In: Kokushi daijiten = National History Una
An Illustration of a Scribe’s Tools, 1868Color woodcut[1908] In: Kokushi daijiten = National History
An Illustration of a Scribe’s Tools, 1868Color woodcut[1908] In: Kokushi daijiten = National History
garadinervi:Kay Sekimachi, Bowl, (old Japanese document paper with calligraphy), n.d.; in We Were Al
garadinervi:Kay Sekimachi, Bowl, (old Japanese document paper with calligraphy), n.d.; in We Were Al
Hon'ami Koetsu, Waka poems, Japanese, 1558 – 1637, 54 7/16 × 17 5/8 in., Private collection.
Hon'ami Koetsu, Waka poems, Japanese, 1558 – 1637, 54 7/16 × 17 5/8 in., Private collection.
Doves and PeoniesYamamoto Baiitsu (Japanese; 1783–1856)1844Ink and color on silk (one of a pair of h
Doves and PeoniesYamamoto Baiitsu (Japanese; 1783–1856)1844Ink and color on silk (one of a pair of h
Yamamoto Baiitsu (Japanese; 1783–1856)Doves and PeoniesOne of a pair of hanging scrollsInk and color
Yamamoto Baiitsu (Japanese; 1783–1856)Doves and PeoniesOne of a pair of hanging scrollsInk and color
Kinkakuji, Kyoto, Japan, 2014.
Kinkakuji, Kyoto, Japan, 2014.
An Illustration of a Scribe’s Tools, 18681908Color woodcut In: Kokushi daijiten = National History U
An Illustration of a Scribe’s Tools, 18681908Color woodcut In: Kokushi daijiten = National History U
Ryokan, One, Two, Three, 19th c.
Ryokan, One, Two, Three, 19th c.
Ryokan, Autumn Leaves, 19th c.
Ryokan, Autumn Leaves, 19th c.
Japanese Poster: Gion Grand Tea Ceremony. Marble.co. 2014
Japanese Poster: Gion Grand Tea Ceremony. Marble.co. 2014
Shiryu Morita, DEEP POOL, ca. 1960–1969
Shiryu Morita, DEEP POOL, ca. 1960–1969
Shiryu Morita, Dragon, 1965
Shiryu Morita, Dragon, 1965
beifongkendo:絆 Kizuna, bond, being connected. Shodo and sumi-e art by Mitsuru Nagata.
beifongkendo:絆 Kizuna, bond, being connected. Shodo and sumi-e art by Mitsuru Nagata.
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harvard-art-museums-calligraphy: Model Calligraphy Text from the “Anthology of Chinese and Japanese
harvard-art-museums-calligraphy: Model Calligraphy Text from the “Anthology of Chinese and Japanese
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