Ko Nakahira

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Only on Mondays | Kô Nakahira | 1964Takeshi Katô, Mariko Kaga

Only on Mondays | Kô Nakahira | 1964Takeshi Katô, Mariko Kaga

sempiternele:Takuma Nakahira

Only on Mondays | Kô Nakahira | 1964

Only on Mondays | Kô Nakahira | 1964Mariko Kaga

『猟人日記』中平康/日活/1964 Ryojin Nikki (The Hunter’s Diary) / Director: Koh Nakahira / Production Company &a

『おんなの渦と渕と流れ』中平康/日活/1964 Onna no Uzu to Fuchi to Nagare / Director: Ko Nakahira /  Production Company

isabelladenyst:Takuma Nakahira

isabelladenyst:Takuma Nakahira

Untitled (1970)from the [ A Language to Come ] photobook© Takuma Nakahira* παρουσίαση / full feature

circus-sonata:by Takuma Nakahira / 中平卓馬Last Train series / 終電車を包むアトモスフィアーを抽象 (1968)

shihlun: Shomei Tomatsu, Takuma Nakahira, Photographer, 1967. 東松照明, 「写真家 中平卓馬」

isabelladenyst:Takuma Nakahira

secretcinema1: For a Language to Come, 1970, Takuma Nakahira

serafino-finasero: Mariko Kaga in Kô Nakahira’s Getsuyôbi no Yuka (English title: Only On Mondays, a

no23: Takuma Nakahira, via.

aurorae: Getsuyoubino Yuka 1964 / Nakahira Ko

Takuma Nakahira (left) and unidentified, Paris, 1971. From Circulation: Date, Place, Events (2012).

Untitled (1970)from the [ A Language to Come ] photobook© Takuma Nakahira* παρουσίαση / full feature

isabelladenyst:Takuma Nakahira

Yutaka Takanashi – Towards the City (including a short history of the “Provoke” er

ahappening-photographs: japan-photo: eyecurious: Takuma Nakahira’s For A Language To Come ha

『猟人日記』中平康/日活/1964 Ryojin Nikki (The Hunter’s Diary) / Director: Koh Nakahira / Production

『猟人日記』中平康/日活/1964 Ryojin Nikki (The Hunter’s Diary) / Director: Koh Nakahira / Production Comp

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