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An Assembly of the Gods, with Jupiter Embracing Minerva, Venus Confronting Diana Observed by Hercule
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
The Judgement of ParisHans von Aachen (German; 1552–1615)1590Oil on copperBirmingham Museum of Art,
Portrait of a ManFrancesco Salviati (Italian; 1510–1563)ca. 1544–48Oil on panelJ. Paul Getty Museum,
Mountainous Landscape in Bohemia with a View of Prague Pieter Stevens (Flemish; ca. 1567–after 1624)
De opstanding = The ResurrectionLucas van Leyden (Flemish; ca. 1494–1533)ca. 1529–33Black chalk and
Jacob de Backer (1555-1585), ‘The Seven Deadly Sins- Envy’, 1570-75
Hans von Aachen (German; 1552–1615), attributed toThe Deposition of ChristOil on canvas, early 17th
Hans von Aachen (German; 1552–1615), attributed toThe Deposition of Christearly 17th centuryOil on c
Martyrdom of St. SebastianJan Harmensz. Muller (Dutch; 1571–1628) after Hans von Aachen (German; 155
The Triumphal Procession of BacchusMaerten van Heemskerck (Dutch; 1498–1574)1536–7Oil on panelFrans
Christ Appears as a Gardener to Mary Magdalene (Noli mi tangere) Aegidius Sadeler II (Flemish; ca. 1
Herri met de Blès (1510-1550), ‘Hell Landscape’, 1540s
Jan Saenredam (1565-1607) (after Hendrik Goltzius), ‘Death Surprising a Young Man’, 1592
Matteo da Lecce (1547-1616), ‘The Dispute between St. Michael and the Devil over the Body
Studies for Saint SebastianFederico Barocci (Italian; 1535–1612)ca. 1592–96Black chalk and charcoal,
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