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“Thirty-two Aspects of Physiognomy” by Nishimura Shigenobu (1711-1785) 

“Yoshiwara Parodies of Kabuki” by Kitagawa Utamaro, 1798

“Earth Sign of Muddy water”. Ukiyo-e woodblock print, early 1800’s, Japan, by artist Uta

Nakumura Tomisaburo and Iwai Kumesaburo in a Shibaraku Scene by Utagawa Toyokuni (Toyokuni I), c. 18

“Hanazono of Nakaori-ya” by Yanagawa Shigenobu, c. 1825

Group of maiko by Wada Sanzo, 1955

Iwai Hanshiro IV by Katsukawa Shunsho,1782-88

Two Traditional Dances by Hasegawa Sadanobu III, 1959 

“Flame” by Uemura Shoen, 1918

“The Oiran Nishikigi of Yotsumeya with her Kamuro” by Isoda Koroyusai, c. 1776

Japanese women’s dress from the Heian Period (794 to 1185)

“Beauty” by Kaigetsudo Dohan, 1711-16

“Bunraku Puppet” by Hasegawa Sadanobu III, 1950s

“Amayo-no-Miyamōde” by Suzuki Harunobu, 1770

Two paintings from the series “Faithful Genji” by Utagawa Kunisada, c. 1850s

Hana Moyō (Patterns for Flowers), by Kobayashi Kiyochika is a series of triptychs published in 1896,

Japanese Oiran Ningyo doll

Maple Viewers by Kano Hideyori,Muromachi to Azuchi-Momoyama period, 16th century

“Morita za Tomomatsu norikomi zu” by Kunichika Toyohara, 1865

Bando Hikosaburo III as Kudo Saemon Suketsune by Utagawa Toyokuni (Toyokuni I), 1807

Japanese woman by Chinese photographer Lai Afong (c.1839 - 1890) 

Tale of Genji illustrated by Nakazawa Hiromitsu, 1912

Three paintings, part of a painted calendar, by Toyohara Chikanobu

Oiran by Katsukawa Shunsho, 1771

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