Nitratediva

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nitratediva:Stylish parisiennes in The Love Parade (1929).

nitratediva:Stylish parisiennes in The Love Parade (1929).

nitratediva:Bess Flowers, “queen of the dress extras,” in a risqué scene from A Woman of Paris (1923

nitratediva:Flapper girls of the world, make your great-great-grandmothers proud!

nitratediva:A time-lapse peony from a 1950s promotional short, “Garden Wise.” 

nitratediva:The amazingly animated Colleen Moore in Why Be Good? (1929).

nitratediva:From Georges Méliès’s “Les quatre cents farces du diable” (1906).

nitratediva:A model takes time to smell the lilacs while showing off Bonwit Teller outdoor summer fa

nitratediva:Cary Grant gives Katharine Hepburn a New Year’s kiss in Holiday (1938).

nitratediva:The real Annie Oakley demonstrates her ability by shooting glass balls at Thomas Edison’

nitratediva:The woman on the moon blows kisses to a lucky stargazer in Gaston Velle's Voyage autour

nitratediva:Lauren Bacall in Dark Passage (1947).

nitratediva:Peter Lorre in Mad Love (1935).

nitratediva:From F. Percy Smith’s The Birth of a Flower (1910).

nitratediva:Anita Berber(10 June 1899 – 10 November 1928)Weimar cabaret goddess Anita Berber led a l

nitratediva:From Experiment Perilous (1944).

nitratediva:Joan Fontaine and Bob Hope do drag (with varying degrees of success) in Casanova’s Big N

nitratediva:From F. Percy Smith’s The Birth of a Flower (1910).

nitratediva:Jobyna Ralston and Richard Arlen in William Wellman’s Wings (1927).

nitratediva:From “The Turning of the Worm,” a 1920s nature film about the silkworm life cycle, produ

nitratediva:Rita Hayworth in Gilda (1946).

swforester:nitratediva:From The Cabinet of Doctor Caligari (1920).German Expressionism

smallconference:nitratediva:Fredric March and Gary Cooper reach across the boundaries of time to fli

nitratediva:From Raoul Walsh’s The Thief of Bagdad (1924).

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