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barbarastanwyck:Norma Shearer in The Barretts of Wimpole Street (1934)
barbarastanwyck:Norma Shearer in The Barretts of Wimpole Street (1934)
Reflect on Studio 54’s cultural influence with Ian Schrager, cofounder of the iconic venue, on March
Reflect on Studio 54’s cultural influence with Ian Schrager, cofounder of the iconic venue, on March
barbarastanwyck:Gilbert Adrian supervising a dress fitting with Norma Shearer, 1932Norma has a perfe
barbarastanwyck:Gilbert Adrian supervising a dress fitting with Norma Shearer, 1932Norma has a perfe
blazingeyes:Paperback series design for publisher Pan Macmillan’s reissue of Don DeLillo’s complete
blazingeyes:Paperback series design for publisher Pan Macmillan’s reissue of Don DeLillo’s complete
silent–era:Norma Shearer in Broken Barriers (1924)
silent–era:Norma Shearer in Broken Barriers (1924)
barbarastanwyck:Norma Shearer in The Women (1939)
barbarastanwyck:Norma Shearer in The Women (1939)
barbarastanwyck:Norma Shearer listening in on scenes currently being film in the sound mixing panel
barbarastanwyck:Norma Shearer listening in on scenes currently being film in the sound mixing panel
vintagecamping: Lionel Barrymore and Norma Shearer in the Yosemite camp scene in the Metro Goldwyn
vintagecamping: Lionel Barrymore and Norma Shearer in the Yosemite camp scene in the Metro Goldwyn
Dead End - from the cartoon short of deadendia
Dead End - from the cartoon short of deadendia
lucynic83:Hollywood before the Code 
lucynic83:Hollywood before the Code 
on-looking: barelybottomless:Norma bottomless Suddenly a girl appeared, ran into the room and jumped
on-looking: barelybottomless:Norma bottomless Suddenly a girl appeared, ran into the room and jumped
barbarastanwyck:Norma Shearer and Tyrone Power arriving at the premiere of Marie Antoinette, 1938
barbarastanwyck:Norma Shearer and Tyrone Power arriving at the premiere of Marie Antoinette, 1938
yinza:One post with the full set all together because look at all these queer babes. I’m norma
yinza:One post with the full set all together because look at all these queer babes. I’m norma
yinza:One post with the full set all together because look at all these queer babes. I’m norma
yinza:One post with the full set all together because look at all these queer babes. I’m norma
Welcome home, you little goblin
Welcome home, you little goblin
mandareeboo:Okay earlier I assumed Norma’s immediate aggressive response was because Barney wa
mandareeboo:Okay earlier I assumed Norma’s immediate aggressive response was because Barney wa
barbarastanwyck: Norma Shearer waiting underneath the mistletoe, 1930s
barbarastanwyck: Norma Shearer waiting underneath the mistletoe, 1930s
normajeanebaker:Brigitte Bardot being interviewed on the set of ‘Une ravissante idiote’, 1963
normajeanebaker:Brigitte Bardot being interviewed on the set of ‘Une ravissante idiote’, 1963
normajeanebaker:“Above all, the public needs to open its eyes to the suffering that animals experien
normajeanebaker:“Above all, the public needs to open its eyes to the suffering that animals experien
normajeanebaker:“Above all, the public needs to open its eyes to the suffering that animals experien
normajeanebaker:“Above all, the public needs to open its eyes to the suffering that animals experien
normajeanebaker: Brigitte Bardot on the set of “Une Parisienne”, 1957
normajeanebaker: Brigitte Bardot on the set of “Une Parisienne”, 1957
normajeanebaker: Brigitte Bardot and Jean Gabin in En cas de malheur (1958) dir. Claude Autant-Lara
normajeanebaker: Brigitte Bardot and Jean Gabin in En cas de malheur (1958) dir. Claude Autant-Lara
normajeanebaker:Brigitte Bardot in La mariée est trop belle // The Bride Is Much Too Bea
normajeanebaker:Brigitte Bardot in La mariée est trop belle // The Bride Is Much Too Bea
normajeaned:Marilyn Monroe photographed by George Barris, 1962.
normajeaned:Marilyn Monroe photographed by George Barris, 1962.
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