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1930s cartoon
flyte charm
astro09
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indiekid
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This one was inspired by a photo from Thailand, but then went into a very different direction. Also,
cmurphinator:Background paintings from Scooby-Doo, Where are You? (1969-1970)
A fun little #characterdesign for today. #costumedesign #OC #colorstylist #originalcharacter #colord
Giraffe on a Bicycle xD Illustration réalisée pour Cartus Edition, carterie française. @youcoucou_p
Hey, he here a personal tribute to Shigeru Miyamoto / 宮本茂 @youcoucou_paint . . . . . . . . . . . . .
Hello! I’m gonna go with HolisAlice now. Thanks so much for checking my stuff and following me even
lyraina:More MerMay! Ok I admit it, I had way too much fun with this one. I also feel guilty because
More pink! More flowers! Trying for an eerie mood this time.
Trying to go for flowy lines and such for this study, and also not use intense color as a one-trick-
Borrowed my mom’s iPad to try out procreate - was quite a bit of wrestling with the brushes but I ca
lyraina:Magic Town - Aerial view! Finally declaring this one done
lyraina:Playing with mood!
Playing with mood!
Callout Sheet I did for the crane back in the day.
Good memories of the time I lived in Thailand with @yenshuliao for a few weeks. This temple kitty wa
lyraina:Can’t really celebrate mermaids without acknowledging how we’re threatening their (hypotheti
lyraina:“Legacy of the Crane”Very different style and subject matter from my newer work, but still k
It starts with a simple idea with a bunch of scribbles. A boy, his older brother, and his best frien
mienar: animation + painting practice of food! instagram | twitter | shop | commission info
Wanted to do a self portrait for a long time but was shy to do so bc i might not be totally accurate
visualjunkee:‘LOVING VINCENT,’ an Animated Film Featuring 12 Oil Paintings per Second by Over 100 Pa
#LovingVincent painting animators working on the 65,000 frames that make up the film.
The #LovingVincent UK Premiere will be broadcast to cinemas nationwide live from the National Galler
“It’s sometimes so difficult for me to imagine the painting of the future as anything other than a n
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