Pre-code Hollywood

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theroning:“Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were g

One Hour With You (1932) - Ernst Lubitsch and George Cukor.

stop-that-llama:just-grasping-at-straws:love-as-thou-wilt:outrageauxbonnesmoeurs:Vintage women being

theroning:“Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were g

Sylvia Sidney in Dorothy Arzner’s Merrily We Go to Hell (1932).

wildarcy:IT HAPPENED ONE NIGHT (1934)

One Hour With You (1932) - Ernst Lubitsch and George Cukor.

nino-rota:Design for Living, Ernst Lubitsch, 1933File Under: Screwball comedy addiction continues to

theroning:“Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were g

Marlene Dietrich and Herbert Marshall in Blonde Venus (Josef von Sternberg, 1932)

Greta Garbo says goodbye to Ramon Novarro in Mata Hari  (George Fitzmaurice, 1931)gif posted by  but

lucynic83:Hollywood before the Code 

Ginger Rogers in Finishing School (1934).

matineemoustache:Helen Hayes and Ronald Colman in Arrowsmith (1931), dir. John Ford

Lillian Roth in the pre-code musical/disaster film Madame Satan (Cecil B. DeMille, 1930). The f

Jean Harlow in the police line-up in Beast of the City (Charles Brabin, 1932), a pre-Code gangster f

Kay Johnson in Madam Satan (Cecil B. DeMille, 1930). Her costume was designed by Adrian.

Black Moon (1934) - Roy William NeillCinematography: Joseph H. August

oldhollywood: Notable moments in pre-Code Hollywood: The Sign of the Cross (1932), in which Cec

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