Renaissance Drawing

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Julia Fish, Cumulous (1990), from her 1996 Renaissance Society exhibition, View — Selected Drawings

Albrecht Dürer, drapery studies, 1503-1508. Nuremberg, Germany. Via zeno.org

Hans Mielich, Kleinodienbuch, Jewels Book, 1553. Inventory of the jewelry owned by Archduchess Anna

Landscape with Rocky Island, Pieter Bruegel the Elder, 1560

Jörg Wilhalm, Fechtbuch, Fencing book, 1520. Including blood & deathblow. Ink drawing. Oettingen

Albrecht Dürer, The Imperial Crown, 1510. For the Emperor Maximilian I. Etching. Kupferstichkabinett

Sketch of a Cannon Foundry by Leonardo da Vinci, 1487

Albrecht Durer’s drawing of the head of a walrus, 1521. This was part of a series of drawings of exo

Eva Hesse, Untitled, 1966. Brown ink with wash. Source Renaissance Society, University of Chicago. 

Michelangelo BuonarrotiStudy for the Nude Youth over the Prophet Daniel (recto), 1510-1511.  Red cha

classicaldrawing:Michelangelo BuonarrotiMale Nude, Seen from the Rear (recto) Black chalk, pen and b

Hercules Shooting His Bow by Luca Cambiaso Italian, 1544-1550grey-brown ink on brown paperMuseo del

Male Nude on Horseback by Luca CambiasoItalian, 16th centurypen and brown ink on tan antique laid pa

Unicornes - black and white gel pens on sepia paper (10*15cm)After the Atlas of Flamsteed (XVIIth ce

Copy after Giambologna’s Neptune Fountain in Piazza San Petronio, Bologna, by an unknown artis

chatting with a friend ️

Samuel Cursing Saul, Hans Holbein the Younger, 1530

Jan van Scorel, Tower of Babel, c. 1530, pen in brown ink, traces of black chalk on paper, 300 x 445

Arnold Lulls, from his sketchbook of jewellery: aigrette with three plumes, 1585-1640. Drawing, penc

Bacchanalian SceneAmico Aspertini (Italian; 1474/75–1552)1520–35Black chalk, highlighted with white,

jesseclair: #nationalvideogameday yesterday got me thinking about my favourite Italian Renaissance a

Character Design for a personal project, a storyboard about the Cleves Princess, a french novel writ

Frederick Augustus, Conde Rutowsk por Nicolas de Largillierre, 1729.

Study by Leonardo da Vinci

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