Soracities

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soracities:from The Devil’s Dictionary by Ambrose Bierce

soracities:Ocean Vuong, On Earth We’re Briefly Gorgeous: A Novel

soracities:Frank Bidart, “In the Western Night”, Half-Light: Collected Poems, 1965-2016[Text ID: “Tw

soracities:Vladimir Nabokov, in a letter to his wife Véra (1924), Letters to Véra (ed. Brian Boyd &a

Thanks for the tag, soracities!I’ve never really thought about my favourite albums, because I don’t

soracities:Dunya Mikhail, from ‘Tablets II’ (trans. Kareem James Abu-Zeid)[Text ID: “Your lookpasses

soracities:Walt Whitman, “Miracles”, Complete Poems[Text ID: “To me every hour of the light and dark

soracities:Andre Dubus, “After Twenty Years”, Broken Vessels: Essays[Text ID: “I have always known t

soracities:Euripides, from “Orestes”, An Oresteia (trans. Anne Carson)

581d00:@soracities @581d00 UM !!

soracities:William Shakespeare, Much Ado About Nothing  |  Emma (2020), dir. Autumn de Wilde  |  Vla

soracities:Walt Whitman, “Give Me the Splendid Silent Sun”, Leaves of Grass[Text ID: “Give me solitu

soracities:Paul Eluard, “Right in the Middle of the Month of August”, Selected Poems (trans. Gilbert

soracities:Frank Bidart, “In the Western Night”, Half-Light: Collected Poems, 1965-2016[Text ID: “Tw

soracities:Vladimir Nabokov, letter to his wife Véra, Letters to Véra (ed. Brian Boyd & trans. O

soracities:sleepy girls club™

soracities:In the Mood for Love (2000), dir. Wong Kar-Wai

soracities:Natalie Wee, from ‘Least of All’, Our Bodies & Other Fine Machines

luthienne:Christa Wolf, Cassandra: A Novel and Four Essays (tr. Jan van Heurck)@soracities

soracities:Light and shadows by Harry GruyaertMali, 1988 & Morocco,1981

head-up-heart-open:soracities:Moikom Zeqo, ‘Untitled’, I Don’t Believe in Ghosts: Poems from ‘Meduza

soracities:Andre Dubus, “On Charon’s Wharf”, Broken Vessels: Essays[Text ID: “And I believe I can do

soracities:Mona Sa’udi, from Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab Wo

soracities:Frida Kahlo, excerpt from a letter to Alejandro Gómez Arias, written December 1925, three

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