Soviet Aesthetics
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Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
SPECTRES OF STALIN.
SPECTRES OF STALIN.
dianus:Dziga Vertov, Man with a Movie Camera (Russian: Человек с киноаппаратом), 1929.‘Our eye
dianus:Dziga Vertov, Man with a Movie Camera (Russian: Человек с киноаппаратом), 1929.‘Our eye
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
October Sun.
October Sun.
October is almost here.
October is almost here.
An Old Dorm.
An Old Dorm.
There is always light in the end.
There is always light in the end.
What a Sight!
What a Sight!
Dark Courtyards.
Dark Courtyards.
Guess what? We’ve had the first snow!But it’s melted already.
Guess what? We’ve had the first snow!But it’s melted already.
Trams for all!
Trams for all!
B e e r л о г а.
B e e r л о г а.
Choose your fighter.
Choose your fighter.
Nearby Omsk Railway Station.
Nearby Omsk Railway Station.
The Contrast.
The Contrast.
Living My Best Life.
Living My Best Life.
Grim Autumn Days.
Grim Autumn Days.
Lest we forget that the mirror shot is hardly a 21st century phenomena, it has existed from the mome
Lest we forget that the mirror shot is hardly a 21st century phenomena, it has existed from the mome
3rdorgan:alexander rodchenkoNxt semester must begin collage projects in earnest, towards a Rodchenko
3rdorgan:alexander rodchenkoNxt semester must begin collage projects in earnest, towards a Rodchenko
Evening Silence.
Evening Silence.
All of the sudden colors have become vibrant.
All of the sudden colors have become vibrant.
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