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cinemaru: Irina Kupchenko in A Nest of Gentry (1969)
A Spring for the Thirsty Directed by Yuri Ilyenko (1965) A man who lives by a well is
unhistorical:Posters for Vsevolod Pudovkin’s ‘revolutionary trilogy’ —M
Disused cinema, Former sanatorium of the Council of Ministers, Valgeranna, Estonia, 2014
Love and Doves (1985) dir. Vladimir Menshov
Tegeran-43 (1981) dir. Aleksandr Alov, Vladimir Naumov
The Dog in the Manger (1978) dir. Yan Frid
Rest Time from Saturday Until Monday (1984) dir. Igor Talankin
Melodies of a White Night (1976) dir. Sergey Solovyov
Scenes from Life of People on Leave (1981) dir. Nikolay Gubenko
Larisa Guzeeva in A Cruel Romance (1984)
Come and See (1985)Dir. Olga Mironova
Tatyana Samoylova in The Cranes Are Flying (1957)
liinza:Come and See, Elem Klimov, 1985 DOP : Alexeï Rodionov
Getting to Know the Big, Wide World (1980), Kira Muratova
Soviet poster for STALKER (Andrei Tarkovsky, USSR, 1979)Designer: unknownPoster source: Heritage Auc
Alla Demidova in Choice of Purpose (1975)
St. Petersburg in Namesake (1978)
sosbrutalism:The Rossiya Cinema was the largest cinema in Armenia, accommodating 2500 visitors. Afte
Getting to Know the Big, Wide World (1980), Kira Muratova
Getting to Know the Big, Wide World (1980), Kira Muratova
sovietmontage:266. La hora de los hornos: Notas y testimonios sobre el neocolonialismo, la violencia
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