Tate Museum

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LIVE

Untitled, Francis Barlow, TatePurchased as part of the Oppé Collection with assistance from t

Landscape, Lucien Pissarro, 1911, TatePurchased 1924Size: image: 79 x 76 mmMedium: Wood engraving on

Untitled, Georg Baselitz, 1995, TatePurchased 1997Size: image: 291 x 179 mm mount: 561 x 409 x 4 mmM

artist-paul-nash: Totes Meer (Dead Sea), Paul Nash, 1940, TatePresented by the War Artists Advisory

12. Orpheus, Graham Sutherland, 1978, TatePurchased 1985Size: image: 484 x 755 mmMedium: Etching and

Sides of a River II, Joan Mitchell, 1981, TatePresented by Tyler Graphics Ltd in honour of Pat Gilmo

artist-benjamin-west: Sketch for ‘The Ascension’, Benjamin West, 1782, TatePresented by

The Wise Virgins, John Everett Millais, 1864, TatePresented by Gilbert Dalziel 1924Size: image: 140

The Good Samaritan, John Everett Millais, 1864, TatePresented by Gilbert Dalziel 1924Medium: Wood en

william-orpen: Anita, William Orpen, 1905, TatePurchased 1996Size: support: 760 x 557 mmMedium: Oil

Light Red Over Black, Mark Rothko, 1957, TatePurchased 1959Size: support: 2306 x 1527 x 38 mmMedium:

artist-constable:Frontispiece: East Bergholt, Suffolk, John Constable, 1832, TatePurchased 1985Size:

Mexican, René Daniëls, 1977, TatePresented by Helen van der Meij, London 2004Size: suppo

Untitled, Francis Barlow, TatePurchased as part of the Oppé Collection with assistance from t

Fields at Sunset, Joshua Cristall, 1810, TatePurchased as part of the Oppé Collection with as

‘Songs of Innocence and of Experience’: ‘Spring’, William Blake, 1794, TateP

The Good Farmer, Probably the Parable of the Wheat and the Tares. Verso: Rough Sketch of Two or Thre

less-ismore:Enric Miralles, Heaven, Tateyama Museum Park, Japan, 1994-95.

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