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Mona Sa’udi, from Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab Women (ed. &a
Etel Adnan, from ‘Love Poems’, Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab
Homero Aridjis, Persephone (trans. Betty Ferber)
unena:from man and his symbols by Carl Jung
kitty-en-classe:W.B Yeats
Homero Aridjis (trans. W.S. Merwin), Los Espacios Azules / Blue Spaces: Selected Poems
loveletter2you:hart crane, “voyages”
arabianblogger:“your voice passes like a sword between my ribs” - كَِ
CA Conrad, from The Book of Frank
Adonis, ‘Desert’, The Pages of Day and Night (trans. Samuel Hazo)[Text ID: “Night.Trees seem like te
Li-Young Lee, ‘The Interrogation’, The City in Which I love You: Poems
typodescript:crimsonkismet: , (-)[ID text: and I was struck less by her beauty than by the extraordi
Attila József, “Ode” (trans. Gábor G. Gyukics and Michael Castro)[Text ID: “This great radiance hurt
Walt Whitman, “A Clear Midnight”, Leaves of Grass[Text ID: “Night, sleep, death and the stars.”]
Octavio Paz, ‘Letter of Testimony’, A Tree Within (trans. Eliot Weinberger) [Text ID: “ Blood:music
Antonio Porchia, Voices (trans. W. S. Merwin)
Moikom Zeqo, ‘I Don’t Believe in Ghosts’, I Don’t Believe in Ghosts: Poems from ‘Meduza’ (trans. Way
Chu Yohan, ‘Life, Death’ (trans. Kyung-Ja Chun and by Chong Bum Kim), The Columbia Anthology o
Paul Eluard, “The Last Night”, Selected Poems (trans. Gilbert Bowen)[Text ID: “This murderous little
Emily Dickinson, ‘The name–of it–is Autumn’ (Poem 656), The Complete Poems of Emily Dick
Mona Sa’udi, from ‘So drunk am i’, Women of the Fertile Crescent: An Anthology of Modern Poetry by A
Alchemy | @wnq-typography
dedication in Maram al-Masri’s Barefoot Souls (trans. Theo Dorgan)
Ntozake Shange, For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf: A Choreopo
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