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voirlvmer:Margaret Atwood, from “There Are Better Ways of Doing This”
voirlvmer:the house as a site of traumaclementine von radics, from “courtney love prays to oregon” /
voirlvmer:Margaret Atwood, from “There Are Better Ways of Doing This”
voirlvmer:Venetta Octavia, from “I Set It in Stone”
voirlvmer:Joanna Klink, from “Winter Field”
voirlvmer: Yves Olade, from “Topograph”
voirlvmer:Bhanu Kapil, from The Vertical Interrogation of Strangers
voirlvmer: Margaret Atwood, from “There Are Better Ways of Doing This”
voirlvmer:Christopher Kondrich, from “Asylum” / Hong Sungchul, “String M
voirlvmer:White Oleander (2002) / Clarice Lispector, from “The Buffalo” / Lady Snow
voirlvmer: the icarus complex margaret atwood, from eating fire / nina maclaughlin, from “harv
voirlvmer:Margaret Atwood, from “There Are Better Ways of Doing This”
voirlvmer: Bhanu Kapil, from The Vertical Interrogation of Strangers
voirlvmer:Joanna Klink, from “Winter Field”
voirlvmer:Bhanu Kapil, from The Vertical Interrogation of Strangers
voirlvmer:Bhanu Kapil, from The Vertical Interrogation of Strangers
voirlvmer:Margaret Atwood, from “There Are Better Ways of Doing This”
memoryslandscape: voirlvmer:Joanna Klink, from “On Surmising” from Boston Review (16 Dec
voirlvmer:Margaret Atwood, from “There Are Better Ways of Doing This”
voirlvmer:Margaret Atwood, from “There Are Better Ways of Doing This”
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