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Walter Dexel, Reklameuhren, new clocks for out-of-home advertising & Hans Leistikow’s artw
Walter Dexel, Composition with half disc, 1926. Gouache and ink over lead pencil. Source
Walter Dexel, poster for a photo exhibition, Fotografie der Gegenwart, 1931. From Commercial Art mag
Walter Dexel, Light Disc on Red J / Helle Scheibe auf rotes J, 1926. Ink & tempera on paper. Mus
Walter Dexel, Arched lamps | Bogenlampen, 1917. Oil on canvas. Via Lempertz
Walter Dexel, The fire engine house – Das Spritzenhaus, 1916. Oil on cardboard. Via Lempertz
Walter Dexel, phone booth with clock and advertising, 1927/28. Frankfurt.The abstract painter Dexel
arthuntblog: Walter Dexel [Germany] (1890-1973) ~ ‘Composition 24a With A Black Square’, 1924. Oil o
Walter DexelComposition series XXVII (no.6)1968
Walter Dexel, from the series Disc in a Square, 1969. Tempera and India ink on cardboard. Via Ketter
Walter Dexel, Figuration in Weiss auf Schwarz mit 2 roten Quadraten, 1972. Source
Walter Dexel, Sailing Ship / Segelboot, 1922. Oil on canvas. Via Ketterer Kunst
Walter Dexel, Phone Booth - Fernsprecher, 1928. Gelatin silver print. For an Editorial article in Da
Walter Dexel, Drafts for the series “Halbscheibe gegen Halbscheibe im Quadrat”, and a fi
Walter Dexel, The big H. Composition with big black L, 1971. Silkscreen. Via Ketterer.
Walter Dexel, Bootlegger, Der Schwarzhändler, 1971. Silkscreen in colours. Ketterer Kunst
Walter Dexel, Bandwerk offen, 1965. Germany. Via Hesse Auktionen
Walter Dexel, Composition 1923 IV. Verso and recto. Oil on burlap. Autumn Auction Villa Grisebach.Th
Walter Dexel, Nearly S - Fast ein S, 1970. Serigraph. Via Ketterer
Walter Dexel, With silver square, 1924. Oil and collage on wood.
Walter Dexel, abstract composition, 1972. Serigraph. Ketterer Kunst
Walter Dexel, Abstract Composition, 1923/24. Painting on glass. Germany.
Walter Dexel, With vertical red beam – Mit senkrechtem roten Balken, 1923. Reverse glass painting. V
Design contest for the german magazine Form, 1928. Jan Tschichold, Max Burkhartz, Paul Renner et al.
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