1769 Gallery
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fujiwara57:“One Hundred Looks ofVarious Women”, 1816, deUtagawa Toyokuni 歌川豊国 (1769 - 1825).
artist-joseph-wright:Mrs. John Ashton, 1769, Joseph WrightMedium: oil,canvas
vivelareine:A portrait of Marie Antoinette playing the spinet by Franz Xaver Wagenschön, 1769.
hadrian6:Venus Directing Aeneas and Achates to Carthage. 1769.Angelica Kauffmann. Swiss 1741-1807.
peashooter85:X-ray of a 1769 Short Land Pattern Brown Bess Musket recovered from a shipwreck. Scan
my18thcenturysource:On Wednesdays We Wear Pink:“The Pybus family”, c.1769, Nathaniel Dance, National
Giovanni Battista Gigola (1769–1841)Ritratto di giovane fanciulla in un paesaggio
gunsandposes:Happy birthday to Napoleon Bonaparte (15 August 1769 – 5 May 1821)
cimmerianweathers:Mrs. John BostockJoseph Wright of DerbyOil on canvasc. 1769
fujiwara57:Utagawa Toyokuni 歌川豊国 (1769 - 1825).
Attributed to Gaspare Traversi (b. ca. 1722–1769)Giovane donna alla spinetta con pappagallo (Allegor
acrosscenturiesandgenerations:▪Bed.Date: ca.1800–10Design attributed to: Thomas Hope (1769–1831)Plac
asklepiad-apollon:Hyacinth Changed Into A Flower (1769) - Nicolas Rene Jollain
X-ray of a 1769 Short Land Pattern Brown Bess Musket recovered from a shipwreck. Scan reveals the m
clara–lux:LAWRENCE, Thomas (1769–1830)Portrait of Caroline Ferdinande of Bourbon-Two Sicilies
Thomas Patch, And When Death Himself Knocked at My Door, 1769
Toyokuni Utagawa I aka Utagawa Toyokuni I aka 歌川豊国 (Japanese, b. 1769, Edo, Japan, d. 1825, Edo, Jap
detailedart:Detail; Aurora and Cephalus, 1769, by François Boucher (French, 1703 - 1770).
overdose-art:François Boucher (1703–1770)Aurora and Cephalus (detail), 1769
Portrait of a Musician. Jean-Baptiste Le Prince, 1769.
Colonel Acland and Lord Sydney: The Archers, 1769 by Joshua Reynolds (English, 1723–1792)
from books0977:Madame François Buron (1769). Jacques-Louis David (French, 1748–1825). Oil on canvas.
mokacahuete:Effraie des clochers ou Chouette effraie / Barn owl.Tyto alba (Scopoli, 1769) :- Effraie
“Les Festes de l'Hymen et de l'Amour” by Auguste Etienne Guillaumot after Louis-René Bo
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