Painting Structure Gallery
ardynoct
kelldelila
buckeys
calstein9738983
planets-bend-between-us
These are two panels of interior decoration for a sculpture/installation/structure I’m working
Fractal I. /Whispering Leaves of the Digital Treesacrylic, oil, carving on birch panel30x40 inches
Daniel Vlcekw a v eacrylic and oil oncavas
Gouache painting I did based on the murals of Chiik Nahb Structure sub 1-4 (SE-S1), Calakmul, the Cl
“I prefer winter and fall, when you feel the bone structure of the landscape—the loneliness of
The best way to see the overall structure of your piece Tomorrow’s prompt for #31daysofpainti
OUT OF MEMORY 06tranfered Canon CMYK pigment, acrylic painting on linen, 201690 x 70cmDaniel Vlcek
Daniel Vlcek4 Hours of Deep Black Noise,acrylic on cartonfoto: Ondrej Polak
Daniel Vlcekw a v eacrylic and oil oncavas
monolith
JIIN - Oil on canvas - 60 x 80 cm
New editorial out in Tantalum Magazine. Photography: Bri JohnsonStylist: Karlyn Jae WaldschmidtHair
THE BEAST || My concept art of actor Dan Stevens with the facial structure of the animated version o
Imagining my new sculpt project as a structure in a different galaxy. Concept render @thuhstudi
Fractal I. /Whispering Leaves of the Digital Treesacrylic, oil, carving on birch panel30x40 inches
DetailPainting Loop IVacrylic, oil on linenDaniel Vlcek
“It’s there as grammar. A structure. The Kabbalah is an exploration of god. We&a
LeonKa “Complex Structure” Paint from my show in @annodominigallery “Things, Mereo
LeonKa “Complex Structure” Paint from my show in @annodominigallery “Things, Mereo
I’ve been trying out a more structured schedule lately which includes more self assigned
Paul Stone aka Paul G. Stone aka PG Stone (American, b. Westminster, VT, USA) - 1: Early Spring Pond
Jake Fischer (American, b. Phoenix, AZ, USA, based NY, USA) - 1: Downward, 2017 2: Along the Side,
François Cachoud aka François Charles Cachoud (French, 1866-1943, b. Chambéry, France) - La Route (
Laurence Jones (British, based Reading, Berkshire, England) - 1: Outliers, 2018 2: Details Oriented
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