Visual Dev Gallery
denihm
universal studios
eggybabe
vanoty
nudenga
slobbering:…and mercifully, Sympathy for the Devil begins to play.
scurviesdisneyblog:Visual development for Raya and the Last Dragon by Paul Felix, Ryan Lang, Mingjue
trying to do 40x60 inktobers/OCtobers (these are tiny crops of day 1 and 2)
Final project for my Visual Development class~
Visual Dev for the short film “LE MANS 55″ directed by Quentin BaillieuxEDDY Production
Visual Dev for the short film “LE MANS 55″ directed by Quentin BaillieuxEDDY Production
Visual Dev for the short film “LE MANS 55″ directed by Quentin BaillieuxEDDY Production
Final Colorscript for “HORS SAISON” the graduation film we’ve done this year.Digital (Photoshop)Than
First Researches for “HORS SAISON” the graduation film we’ve done this year.Digital (Photoshop)Thank
disneyconceptsandstuff:Visual Development from The Haunted Mansion
Epic visual development by Michael Knapper (Part 1 of 2).
jakepanian:Here’s some visual development paintings I did for Epic. I have them labeled as Wraithwoo
In conjunction with a new name and site launch, Studio South formerly APLUS, developed a new visual
Some BGs from Mighty Magiswords episode “Straining Day.” That last one was made to be rotated from t
HEYY!! Happy to say I got to be a part of Things Worth Dying For: a @harrypotterfanzine,presented by
#swordtember 8/9: divine relic/cursed relic. Colors inspired by the fire that is slowly encroaching
animationtidbits:Mulan - Visual Development
jakepanian:This was the very first set I designed when I started at Blue Sky, so it’s kinda special
scurviesdisneyblog:Visual development for Pixar’s Soul
Finalized Storyboard Illustrations for my masters’ project.Based on an original story that I came up
The Art of Tangled
jakepanian:I know I just posted this stuff, but some people wanted it all together… I’m still a tumb
I finally graduated.It’s been a great four years. The last two were the most difficult for me
Preliminary paints from Primal’s witch episode “Coven of the Damned,” just in time
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