1920s Design
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Paul Colin, poster artwork for Georgia Graves, 1928. Paris.This poster was created for Graves’
Paul Colin, poster artwork for Georgia Graves, 1928. Paris.This poster was created for Graves’
Léon Deshairs, Interior in Colors, a Portfolio. Part of the exhibition Exposition des Art Décoratifs
Léon Deshairs, Interior in Colors, a Portfolio. Part of the exhibition Exposition des Art Décoratifs
Léon Benigni, Design for the Cover of La Donna magazine, 1929. Gouache, over a pencil underdrawing.
Léon Benigni, Design for the Cover of La Donna magazine, 1929. Gouache, over a pencil underdrawing.
Adolphe Mouron Cassandre, typeface Bifur, designed 1929. Promotional Brochure by Soldans Ltd. London
Adolphe Mouron Cassandre, typeface Bifur, designed 1929. Promotional Brochure by Soldans Ltd. London
Norbertine von Bresslern-Roth, zebra finch, ducks, fantails, 1922. Cat, 1925. Crabs, 1926. Color lin
Norbertine von Bresslern-Roth, zebra finch, ducks, fantails, 1922. Cat, 1925. Crabs, 1926. Color lin
Johan Rohde, Teapot, 1925. Silver, ebony. Made by Georg Jensen Sølvsmedie. Via Cooper Hewitt
Johan Rohde, Teapot, 1925. Silver, ebony. Made by Georg Jensen Sølvsmedie. Via Cooper Hewitt
André Sornay, side table, 1925. Ebony Macassar, walnut. Via Galerie Michel Giraud. His early creatio
André Sornay, side table, 1925. Ebony Macassar, walnut. Via Galerie Michel Giraud. His early creatio
Friedrich Küppersbusch, Gas and coal stove, 1922. Gelsenkirchen, Germany. Via RuhrMuseum Essen.
Friedrich Küppersbusch, Gas and coal stove, 1922. Gelsenkirchen, Germany. Via RuhrMuseum Essen.
AEG Toaster, produced with different cutouts and platings from the 1920s to the 1950s. Design attrib
AEG Toaster, produced with different cutouts and platings from the 1920s to the 1950s. Design attrib
Film titles: D.W. Griffith Intolerance, 1916. F.W. Murnau, Nosferatu, 1922. Alfred Hitchcock, The Lo
Film titles: D.W. Griffith Intolerance, 1916. F.W. Murnau, Nosferatu, 1922. Alfred Hitchcock, The Lo
Grit Kallin-Fischer, Costume design for Spinning Tops in Petrouschka, 1927. Gouache and graphite on
Grit Kallin-Fischer, Costume design for Spinning Tops in Petrouschka, 1927. Gouache and graphite on
Costume design sketches for Oskar Schlemmer’s Triadic Ballet (circa 1922).
Costume design sketches for Oskar Schlemmer’s Triadic Ballet (circa 1922).
Afternoon dress. Design House:House of Paquin (French, 1891–1956)Date:1923–24
Afternoon dress. Design House:House of Paquin (French, 1891–1956)Date:1923–24
Philippe & Gaston, evening ensemble, probably French, 1925. Silk, beads, metal, tortoiseshell, f
Philippe & Gaston, evening ensemble, probably French, 1925. Silk, beads, metal, tortoiseshell, f
Max Burchartz, Typografische Arbeiten, 1924–1931Although he never reached the level of fame attached
Max Burchartz, Typografische Arbeiten, 1924–1931Although he never reached the level of fame attached
Les chansons de Bilitis. Paris, Collection Pierre Corrard, 1922AN EXCEPTIONAL BINDING IN EGGSHELL AN
Les chansons de Bilitis. Paris, Collection Pierre Corrard, 1922AN EXCEPTIONAL BINDING IN EGGSHELL AN
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Kasimir Malevich, Suprematist Tea set, 1923. Porcelain. Made by Lomonosov Manufacture, St. Petersbur
Kasimir Malevich, Suprematist Tea set, 1923. Porcelain. Made by Lomonosov Manufacture, St. Petersbur
Max Pfeiffer Watenphul, Bauhaus tapestry, 1921.
Max Pfeiffer Watenphul, Bauhaus tapestry, 1921.
Carl Franz Moos, artwork for swiss booklet for Olympic Games, 1924 in Paris. Published by Julius Wag
Carl Franz Moos, artwork for swiss booklet for Olympic Games, 1924 in Paris. Published by Julius Wag
fuckyeahvintageillustration:design-is-fine:Boris Artzybasheff, illustration for The Forge in the For
fuckyeahvintageillustration:design-is-fine:Boris Artzybasheff, illustration for The Forge in the For
gnossienne:Erté, design for stage set for “Les Mariages” (1924)
gnossienne:Erté, design for stage set for “Les Mariages” (1924)
Le Corbusier, Perriand, Jeanneret, LC1 chair, 1928.  
Le Corbusier, Perriand, Jeanneret, LC1 chair, 1928.  
‘Tissu simultané n° 204′, crepe de chine swatch, designed by Sonia Delaunay, manufacture Ferret, 192
‘Tissu simultané n° 204′, crepe de chine swatch, designed by Sonia Delaunay, manufacture Ferret, 192
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