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Raise The Red Lantern (1991), Zhang Yimou
Raise The Red Lantern (1991), Zhang Yimou
pariztexas:“We wanted to create a language that is aesthetically interesting,” says production desig
pariztexas:“We wanted to create a language that is aesthetically interesting,” says production desig
pariztexas:“We wanted to create a language that is aesthetically interesting,” says production desig
pariztexas:“We wanted to create a language that is aesthetically interesting,” says production desig
seancecafe:Jeremy Brett as Count Dracula, in the 1978 production of Dracula, at the Shubert Theater,
seancecafe:Jeremy Brett as Count Dracula, in the 1978 production of Dracula, at the Shubert Theater,
talesfromweirdland:Combining the gritty 1970s aesthetic with the neon power of the 1980s: Blade Runn
talesfromweirdland:Combining the gritty 1970s aesthetic with the neon power of the 1980s: Blade Runn
mattisdovier: advertising campaign for Aesopwith Remembers production
mattisdovier: advertising campaign for Aesopwith Remembers production
sonnywortzik:“We wanted to create a language that is aesthetically interesting,” says production des
sonnywortzik:“We wanted to create a language that is aesthetically interesting,” says production des
banji-effect: aesths: direct action Seizing the means of production
banji-effect: aesths: direct action Seizing the means of production
mattisdovier:advertising campaign for Aesopwith Remembers production
mattisdovier:advertising campaign for Aesopwith Remembers production
mattisdovier:advertising campaign for Aesopwith Remembers production
mattisdovier:advertising campaign for Aesopwith Remembers production
pariztexas:“We wanted to create a language that is aesthetically interesting,” says production desig
pariztexas:“We wanted to create a language that is aesthetically interesting,” says production desig
lavieennoiraw: Keira is devastatingly beautiful in this production 
lavieennoiraw: Keira is devastatingly beautiful in this production 
banji-effect: aesths: direct action Seizing the means of production
banji-effect: aesths: direct action Seizing the means of production
mattisdovier:advertising campaign for Aesopwith Remembers production
mattisdovier:advertising campaign for Aesopwith Remembers production
mattisdovier:advertising campaign for Aesopwith Remembers production
mattisdovier:advertising campaign for Aesopwith Remembers production
The Case of the Precious PupsTONIGHT ON THE LIFETIME MOVIE NETWORK: Who knew looking for a miss
The Case of the Precious PupsTONIGHT ON THE LIFETIME MOVIE NETWORK: Who knew looking for a miss
mattisdovier:advertising campaign for Aesopwith Remembers production
mattisdovier:advertising campaign for Aesopwith Remembers production
Odio tees and Jumpers mocked up and ready to go into production starting this summer. 
Odio tees and Jumpers mocked up and ready to go into production starting this summer. 
“That’s it, baby– bite down  nice and hard on that gag. It&rs
“That’s it, baby– bite down  nice and hard on that gag. It&rs
Les blancs sablons. Collage - 312Vincent Cann production. My collectionWebsite : vincentcann.comFoll
Les blancs sablons. Collage - 312Vincent Cann production. My collectionWebsite : vincentcann.comFoll
Les blancs sablons. Collage - 312Vincent Cann production. My collectionWebsite : vincentcann.comFoll
Les blancs sablons. Collage - 312Vincent Cann production. My collectionWebsite : vincentcann.comFoll
the-full-shakespearience: This production epitomized the Macbeth aesthetic. Lots of fog, blood, ston
the-full-shakespearience: This production epitomized the Macbeth aesthetic. Lots of fog, blood, ston
cantigasdetanjaouia:Duilio Cambellotti’s posters for early 20th century productions of ancient Greek
cantigasdetanjaouia:Duilio Cambellotti’s posters for early 20th century productions of ancient Greek
Brutal. Collage - 339Vincent Cann productions. My collectionWebsite : vincentcann.comFollow me on In
Brutal. Collage - 339Vincent Cann productions. My collectionWebsite : vincentcann.comFollow me on In
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