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The more detailed we are in what we desire the easier we’ll get them.Muse: @stefflondonHair: @lanoix
The more detailed we are in what we desire the easier we’ll get them.Muse: @stefflondonHair: @lanoix
The Brooklyn Museum Library and Archives #BKMLibrarycontinues its coverage of the romantic and weddi
The Brooklyn Museum Library and Archives #BKMLibrarycontinues its coverage of the romantic and weddi
Do you feel the pressure? Muse: @stefflondon Photography: @dannywonders
Do you feel the pressure? Muse: @stefflondon Photography: @dannywonders
museiums:artist: natalia vicop a r a d i c e
museiums:artist: natalia vicop a r a d i c e
Marquetry Floor & Detail, 1720. Unknown artist. Wood. German. Getty Museum LA.
Marquetry Floor & Detail, 1720. Unknown artist. Wood. German. Getty Museum LA.
This fall, we’re taking a look at how artists in the Brooklyn Museum collection have promoted civic
This fall, we’re taking a look at how artists in the Brooklyn Museum collection have promoted civic
In PoppylandJohnOttis Adams (American; 1851–1927)1901Oil on canvasDavid Owsley Museum of Art, Muncie
In PoppylandJohnOttis Adams (American; 1851–1927)1901Oil on canvasDavid Owsley Museum of Art, Muncie
On July 19, 1937, the Nazi-organized exhibition Degenerate Art opened in Munich. This infamous and v
On July 19, 1937, the Nazi-organized exhibition Degenerate Art opened in Munich. This infamous and v
Conservators and preparators work to install a wall of graphic material by Egyptian graphic artist,
Conservators and preparators work to install a wall of graphic material by Egyptian graphic artist,
In the 1990s, Coco Fusco and her collaborator, Guillermo Gómez-Peña, staged a series of performances
In the 1990s, Coco Fusco and her collaborator, Guillermo Gómez-Peña, staged a series of performances
museiums:artist: quentin mongep a r a d i c e
museiums:artist: quentin mongep a r a d i c e
museiums:artist: ana clericip a r a d i c e
museiums:artist: ana clericip a r a d i c e
“What does it mean that… I see an image of an enslaved person and recognizing that if I
“What does it mean that… I see an image of an enslaved person and recognizing that if I
This Thursday seven artists with work in our collection will join forces in our galleries to discuss
This Thursday seven artists with work in our collection will join forces in our galleries to discuss
We’re so excited for our newest exhibition We Wanted a Revolution: Black Radical Women, 1965–8
We’re so excited for our newest exhibition We Wanted a Revolution: Black Radical Women, 1965–8
Luis Ricardo Falero (1851-1896), ‘Muse of the Night’ (Witches’ Sabbath), 1880Source
Luis Ricardo Falero (1851-1896), ‘Muse of the Night’ (Witches’ Sabbath), 1880Source
museiums:artist: natalia vicop a r a d i c e
museiums:artist: natalia vicop a r a d i c e
“My art began by disappearing. I made an offering for the sea to erase.The waves weave our bre
“My art began by disappearing. I made an offering for the sea to erase.The waves weave our bre
museiums:artist: ana clerici
museiums:artist: ana clerici
NOW ON VIEW on our fourth floor: Mickalene ThomasMickalene Thomas’s large-scale work Monet’s Salle à
NOW ON VIEW on our fourth floor: Mickalene ThomasMickalene Thomas’s large-scale work Monet’s Salle à
brooklynmuseum:Today marks forty years since Judy Chicago’s epic artwork The Dinner Party debuted at
brooklynmuseum:Today marks forty years since Judy Chicago’s epic artwork The Dinner Party debuted at
slam-african:Monkey Mask, Unidentified Mumuye artist, 20th century, Saint Louis Art Museum: Arts of
slam-african:Monkey Mask, Unidentified Mumuye artist, 20th century, Saint Louis Art Museum: Arts of
Mark Rothko, No. 46 (Black, Ochre, Red Over Red), 1957, oil on canvas 252.7 x 207 cm Museum of Conte
Mark Rothko, No. 46 (Black, Ochre, Red Over Red), 1957, oil on canvas 252.7 x 207 cm Museum of Conte
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