Gallery/gallery/gallery/della Robbia
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le-desir-de-charcot:Andrea della Robbia (Italian, 1435-1525), Alexander the Great, c. 1500. Polychro
le-desir-de-charcot:Andrea della Robbia (Italian, 1435-1525), Alexander the Great, c. 1500. Polychro
Giovanni della Robbia’s Resurrection of Christ was commissioned around 1520-24 by the Antinori famil
Giovanni della Robbia’s Resurrection of Christ was commissioned around 1520-24 by the Antinori famil
Andrea Della Robbia (1435-1525), Florence, Circa 1487-1494, The Frame, Della Robbia workshopsBust of
Andrea Della Robbia (1435-1525), Florence, Circa 1487-1494, The Frame, Della Robbia workshopsBust of
Della Robbia Ceramic Plaque, Virgin and Child with Putti, Victoria and Albert Museum, Kensington, Lo
Della Robbia Ceramic Plaque, Virgin and Child with Putti, Victoria and Albert Museum, Kensington, Lo
brooklynmuseum:Join us as we take a closer look at Giovanni della Robbia’s Resurrection of Christ (c
brooklynmuseum:Join us as we take a closer look at Giovanni della Robbia’s Resurrection of Christ (c
Della Robbia, Virgin Adoring the Christ Child,” Italian late 15th or early 16th century, Walters Art
Della Robbia, Virgin Adoring the Christ Child,” Italian late 15th or early 16th century, Walters Art
“I was born in Bensonhurst, Brooklyn and moved to Staten Island at two years old but my family was a
“I was born in Bensonhurst, Brooklyn and moved to Staten Island at two years old but my family was a
Prudence, c1475. Andrea della Robbia. Met Museum, NYC. 
Prudence, c1475. Andrea della Robbia. Met Museum, NYC. 
Inktober 2017: day 10Code Lyoko, Odd Della Robbia. My fav child deserves a cool pose and I’m s
Inktober 2017: day 10Code Lyoko, Odd Della Robbia. My fav child deserves a cool pose and I’m s
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Dovizia (Plenty), Giovanni della Robbia , c. 1520-1529, Cleveland Museum of Art: E
cma-european-art: Dovizia (Plenty), Giovanni della Robbia , c. 1520-1529, Cleveland Museum of Art: E
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
cma-european-art: Madonna and Child, Luca della Robbia , c. 1460-1470, Cleveland Museum of Art: Euro
Conservators are interested in what surrounds art objects. So, what surrounds them? Cases and crates
Conservators are interested in what surrounds art objects. So, what surrounds them? Cases and crates
Plato and Aristotle, or Philosophy, Luca della Robbia, ca. 1437-39
Plato and Aristotle, or Philosophy, Luca della Robbia, ca. 1437-39
Busts of female saints by Giovanni della Robbia (1469–1529) on the facade of the main cloister of Ce
Busts of female saints by Giovanni della Robbia (1469–1529) on the facade of the main cloister of Ce
le-desir-de-charcot:Andrea della Robbia (Italian, 1435-1525), Alexander the Great, c. 1500. Polychro
le-desir-de-charcot:Andrea della Robbia (Italian, 1435-1525), Alexander the Great, c. 1500. Polychro
The della Robbia workshop’s formulas for their glazed terracotta remained a family secret for
The della Robbia workshop’s formulas for their glazed terracotta remained a family secret for
Join us as we take a closer look at Giovanni della Robbia’s Resurrection of Christ (ca. 1520&n
Join us as we take a closer look at Giovanni della Robbia’s Resurrection of Christ (ca. 1520&n
“I speak for myself and my department, the Digital Lab, that Giovanni della Robbia’s
“I speak for myself and my department, the Digital Lab, that Giovanni della Robbia’s
Perhaps the most overt reference to antiquity is in della Robbia’s naturalistic rendering of f
Perhaps the most overt reference to antiquity is in della Robbia’s naturalistic rendering of f
Nativity, Luca della Robbia (1400-1482)
Nativity, Luca della Robbia (1400-1482)
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