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Last month on Tumblr, we gave a behind-the-scenes look at the Brooklyn Museum’s Mesoamerican objects
Conservators at the Brooklyn Museum examined and analyzed the fabric in this egúngún masquerade danc
This frame and its companion painting, Trout (1867) by Walter Brackett, are currently undergoing tre
What goes up must come down. Sometimes what comes down must be carefully organized and housed for lo
How do museum records help conservators take care of objects? This ancient Egyptian Battle Axe with
Our Director’s Circle Members were recently treated to an exclusive curator-led tour of o
In preparation for reopening, KAWS’ Along the Way, was reinstalled in the lobby. The two massi
On May 3, Liz Johnson Artur: Dusha opened at the Brooklyn Museum. The exhibit showcases Artur’
When this limestone stela entered the collection in 1937 from the New York Historical Society the su
Georgia O’Keeffe was passionate about materials and craft. She brought a measured, fastidious
Why is this ancient Egyptian sculpture cracked? In preparation for theupcoming touring exhibiti
Made in Turkey, this Iznik flask entered the Brooklyn Museum’s collection in the early 1970&rs
Photodocumentation is an important step in the conservation treatment of an object in a museum. In g
As we recently discussed, our paintings and objects conservators are currently investigating the&nbs
Albert Bierstadt’s A Storm in the Rocky Mountains, Mt. Rosalie (1866) last underwent a ma
This display in Ashmolean Museum shows how touching artwork affects material.
During the public treatment of Albert Bierstadt’s A Storm in the Rocky Mountains, Mt. Rosalie,
Conservators in the BKM Conservation Lab have been hard at work preparing objects for a number of up
It’s August and that means Brooklyn Museum is hosting Summer Camp! Each week during the
Conservation treatments in progress often lead to an impromptu array of things organized neatly. The
Many of the stunning ephemera collections that star in We Wanted a Revolution are displayed inside c
Sometimes an artist forgets to sign their artwork. Seems crazy, but it happens a lot. For example, t
After nearly five decades on display in Brooklyn, six of Brooklyn Museum’s twelve reliefs fro
Peeking over the shoulder of Project Paintings Conservator Sharra Grow, you can see one small area o
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