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Passengers and tram, Shanghai, 1945. Arthur Leonard Fiddament.
Joan Mitchell (American, 1925-1992), Blues Away, 1964. Oil on canvas, 50.8 x 43.2 cm.
Anton PrinnerLa femme aux grandes oreilles. c. 1980-90, patinated bronze, 170 x 110 x 75 c
im always thinking about post-war Shenko, and hoping that they’re both happy, because Mass
Bruce Conner, ‘Untitled Leporello,’1993, Hand-painted including stiff board front a
Reims is considered the Art Deco capital of France because, after being heavily damaged in the
From Die Muskete, 1920. by Paul Humpoletz
im always thinking about post-war Shenko, and hoping that they’re both happy, because Mass
post-war love letters
Ladri di biciclette = Bicycle ThievesMovie poster by Ercole Brini (Italian; 1907–1989) for the
alstertwiete // hamburg sankt georgobserver
alstertwiete // hamburg sankt georgatlantic garagen
holbeinstraße // köln nippesa small and fine post-war modern flat block with a serial was
post-war love letters
darylsleftboob:my depiction of post-war harry potter
steinbergerstraße // köln nippespost-war modern art in architecture
calamity-aims:a commission for @redminibike1 who asked for a post-war Commander Cody watching the su
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