Post-war Art

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youngandfun94gumimismargarete melzersurfahristephen hunter

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LIVE

Children with umbrellas, Chungking (Chongqing), China, 1945. Photo: Arthur Leonard Fiddament.

Albrecht and Görge Hohlt, two brothers and their ceramic works in post-war Germany. Exhibition “Die

DionysiusBarnett Newman (American; 1905–1970)1949Oil on canvas National Gallery of Art, Washington,

when Catradora first start dating post-war Adora unintentionally turns into She Ra when her and Catr

Romare BeardenRiver Mist 1962Collaged pieces of painted canvas on thin boardRomare Bearden Foundatio

Beauford Delaney, Untitled, 1960. Oil on canvas. 32 x 25¾ in (81 x 65.4 cm).

Alberto BurriMultiplex 1981Coloured die cut boardSotheby’s

Ellsworth Kelly (American; 1923– )Study for Three Color Panels Collage, 1953 © Ellsworth Kelly

Orphée = OrpheusAugust Herbin (French; 1882–1960)1957Serigraph (37/100)Erling Neby Collection, Oslo,

Richard DiebenkornUntitled (Albuquerque) (CR no. 1093), 1951Van Doren Waxter, NYC

amare-habeo:Kazimierz Caziel (Polish-British, 1906 - 1988)WC778 - Composition, 1967Oil on panel, 54.

Derek JarmanFlower Piece 1965Oil on canvasSotheby’s

Romare BeardenUntitled (Green) undated -  circa 1958-62Oil, casein and colored pencil on canvas that

Domenico Gnoli, Red Tie Knot,  (1969). © Artists Rights Society (ARS), New York/SIAE Rome. Private C

Roy Lichtenstein (1923-1997)Red and White Brushstrokes - Painted in 1965Christie’s

Alberto Burri (Italian; 1915–1995)Bianco XV Collage of canvas, burlap, and oil on canvas, 1956 Smith

Red, Yellow, Blue IIEllsworth Kelly (American; 1923–2015)1965Acrylic on canvasMilwaukee Art Museum,

Ellsworth Kelly (1923-2015)Red White 1963Christie’s

Joan Mitchell (American, 1925-1992), Blues Away, 1964. Oil on canvas, 50.8 x 43.2 cm.

Anton PrinnerLa femme aux grandes oreilles. c. 1980-90, patinated bronze, 170 x 110 x 75 c

im always thinking about post-war Shenko, and hoping that they’re both happy, because Mass

Bruce Conner, ‘Untitled Leporello,’1993, Hand-painted including stiff board front a

Reims is considered the Art Deco capital of France because, after being heavily damaged in the

From Die Muskete, 1920. by Paul Humpoletz

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