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Günther Kieser, poster for American Folk Blues Festival, 1968 Since 1962 Kieser worked primarily for
Günther Kieser, poster for American Folk Blues Festival, 1968 Since 1962 Kieser worked primarily for
Ilio Negri, artwork for a series of art history city guides, 1972. Milano, Istituto per la Storia de
Ilio Negri, artwork for a series of art history city guides, 1972. Milano, Istituto per la Storia de
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
George Ashdown Audsley, Twelth century alphabet of initial letters, 1882. Polychromatic decoration a
George Ashdown Audsley, Twelth century alphabet of initial letters, 1882. Polychromatic decoration a
Otto G. Carlsund, artwork for exhibition catalogue, 1930. Stockholm, Sweden. Via Bukowskis
Otto G. Carlsund, artwork for exhibition catalogue, 1930. Stockholm, Sweden. Via Bukowskis
Katharina Dietrich & Paulus Franck, Dekorative Letters A, B, C, early 17th century. Nuremberg, G
Katharina Dietrich & Paulus Franck, Dekorative Letters A, B, C, early 17th century. Nuremberg, G
Friedrich Wilhelm Kleukens, book design for Eichendorff, Die Glücksritter, 1911. Insel Verlag, Germa
Friedrich Wilhelm Kleukens, book design for Eichendorff, Die Glücksritter, 1911. Insel Verlag, Germa
Pentagram Design, Poster campaign, 1976. For Conways Photosetting, London. Museum für Gestaltung Zur
Pentagram Design, Poster campaign, 1976. For Conways Photosetting, London. Museum für Gestaltung Zur
Alexey Brodovitch, Editorial artwork for Harper’s Bazaar, photography by Man Ray, 1936. The st
Alexey Brodovitch, Editorial artwork for Harper’s Bazaar, photography by Man Ray, 1936. The st
Joris Hoefnagel, Guide for Constructing the Letter E, 1591-96. Watercolors, gold and silver paint, i
Joris Hoefnagel, Guide for Constructing the Letter E, 1591-96. Watercolors, gold and silver paint, i
Neil Fujita, book jacket for Truman Capote’s Cold Blood, 1966.
Neil Fujita, book jacket for Truman Capote’s Cold Blood, 1966.
Eric Gill, page from Ecclesiastes, or The Preacher, 1934. Golden Cockerel Press, London. Via Univers
Eric Gill, page from Ecclesiastes, or The Preacher, 1934. Golden Cockerel Press, London. Via Univers
Adrian Frutiger Typefaces. The Complete Works. A book by Osterer / Stamm, Schweizerische Stiftung Sc
Adrian Frutiger Typefaces. The Complete Works. A book by Osterer / Stamm, Schweizerische Stiftung Sc
Brochure “Type faces in use at the Curwen Press”, 1952. A selection of rule borders, vignettes, disp
Brochure “Type faces in use at the Curwen Press”, 1952. A selection of rule borders, vignettes, disp
Marcello Morandini Alphabet for Rosenthal, Germany, 1980s. Postmodern typface. Nice german copywriti
Marcello Morandini Alphabet for Rosenthal, Germany, 1980s. Postmodern typface. Nice german copywriti
‘Zufallsheft’ or 'Random booklet’, 2010 task was:- writing down 10 quotes by switc
‘Zufallsheft’ or 'Random booklet’, 2010 task was:- writing down 10 quotes by switc
Hometown postcard-set design, 2010
Hometown postcard-set design, 2010
François-Louis Schmied, artwork for Le Livre de la vérité de parole, 1929. – “I am a mummy of
François-Louis Schmied, artwork for Le Livre de la vérité de parole, 1929. – “I am a mummy of
Jan van de Velde, Schrijfmeesterboek – Writing-master’s book from the Golden Age of Dutch art, 1605.
Jan van de Velde, Schrijfmeesterboek – Writing-master’s book from the Golden Age of Dutch art, 1605.
Neil Fujita, book jacket for Mario Puzo’s The Godfather, 1969.
Neil Fujita, book jacket for Mario Puzo’s The Godfather, 1969.
David Carson, proof for a Pepsi-Cola ad – one of a series that works exclusively with typography, 19
David Carson, proof for a Pepsi-Cola ad – one of a series that works exclusively with typography, 19
Ivan Chermayeff, album artwork, Koussevitsky: Eroica, 1959. RCA Camden
Ivan Chermayeff, album artwork, Koussevitsky: Eroica, 1959. RCA Camden
Neville Brody, artwork for magazine Face, 1984.
Neville Brody, artwork for magazine Face, 1984.
Pierre Mendell & Klaus Oberer, poster design for the exhibition Design is art, that makes itself
Pierre Mendell & Klaus Oberer, poster design for the exhibition Design is art, that makes itself
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