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What does it mean to have a seat at the table? Who gets to decide? Judy Chicago and her team evidenc
Did you know that the Brooklyn Museum brings in new acquisitions for our renowned collection from ma
The final and most dimensional plate at The Dinner Party belongs to the only woman who was still ali
Roots of The Dinner Party | Feminist Flashback FridayThe Dinner Party workers had to lay out the 999
teenage-rampage-blog:Womanhouse, Judy Chicago, Miriam Shapiro, et al. 1972
female-arthistory:Miriam Schapiro and Judy Chicago outside of Womanhouse, 1971
nobrashfestivity: Judy Chicago, Through the Flower
bal-bullier: Judy ChicagoFlighthood; sprayed automative lacquer on carhood (1965-2011)
“Rainbow Pickett” Judy Chicago, 1965
While The Dinner Party runners feature period-appropriate needlework, Emily Dickinson’s plate extend
Roots of The Dinner Party | Feminist Flashback FridayThe Dinner Party studio was a nexus of feminist
Judy Chicago, “Through the Flower 3 (V),” 1972.Color lithograph on Copperplate Deluxe paper. Stone:
This Thursday we’ll kick off our spring series of Art Off the Wall by celebrating Chitra Ganesh: Eye
We’re organizing a major gathering of artists, filmmakers, writers, and performers alongside leaders
In celebration of Women’s History Month, the Digital Lab is revisiting the Sackler Center’s 2008 exh
In our current exhibition Roots of “The Dinner Party”: History in the Making visitors le
The Brooklyn Museum Libraries and Archives own a special collection of women artist files compiled b
In honor of International Women’s Day, join curator Carmen Hermo today at noon for a special t
Added to The Dinner Party late in its creation, the entry banners nonetheless provide a reverential
Brooklyn Museum programming for Year of Yes: Reimagining Feminism has sparked much interest in the r
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