Katie Varey

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Once the plaster had set within the shoe, I tried to retrive it, however in this case, the right cou

For my research I looked into other cultures and their traditions for beauty. After researching tigh

This is an earlier piece of two moulds of  the waist, one without wearing a corset, the other with.

Details of the wax moulds with ribbon - the ribbon is keeping the arches intact even whilst the shap

Latex moulds

Experimentation with ribbon and plaster. 

For my research I looked into other cultures and their traditions for beauty. After researching tigh

Casting with shoes Carrying on with the casting idea inspired from the foot binding and ballet resea

Following on from the casting of the waist molds with and without the corset, I decided to experimen

Each demonstrates the differences of how the form is manipulated and changed when bound with corsets

To explore the corsetry idea further, I began to mold (rather than just document) the physical chang

Alexa Meade ‘Blue Print’ Image 1. Acrylic paint Image 2. Photograph

Latex moulds

Once the plaster had set within the shoe, I tried to retrive it, however in this case, the right cou

Macro images documenting the subtle curves of the body that the wire molds have captured.

squidswilbesquids: Antony Gormley

This is an earlier piece of two moulds of  the waist, one without wearing a corset, the other w

Details of the wax moulds with ribbon - the ribbon is keeping the arches intact even whilst the shap

Experimentation with ribbon and plaster. 

Etienne Gros The work is very similar to the paintings by Jenny Saville, who has also made large sca

An Investigation into the Sublime Experience and its validity concerning Contemporary Art within the

nevver: Foamcore Etienne Gros

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