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The new #BKMAfricanArt installation Double Take: African Innovations invites a closer look of more t
In continuing our celebration of Black History Month, we highlight this portrait of renowned radical
“Who was Nespeqashuty and how did part of his tomb end up in Brooklyn?”When we think about art creat
Until fairly recently, all upper-class Koreans maintained domestic shrines that were used for paying
This portrait depicts the man who served as Korean prime minister in 1772. He wears a samo, the blac
In developing Beverly Buchanan–Ruins and Rituals, which opens today, we hope to invite new readings
The thousands of textiles currently housed at the Brooklyn Museum are prime examples of the vast glo
As part of We Wanted a Revolution: Black Radical Women, 1965–85, next week artist Maren Hassinger wi
Join us tomorrow to learn about the cultural significance, updated parade route, and public safety i
On the Transgender Day of Remembrance, we highlight two artists from the exhibition Nobody Promised
African Beauty @picture_meem “Overheard: Shouldn’t it say 78 cents for the gender wage gap? ”
Highlighting an “elegant and useful publication for the fair sex” and a “polite repository of amusem
Having the Georgia O’Keeffe exhibition here is a great opportunity for us to look back at previous t
If you ask someone to name five artists, they will likely name prominent male artists, but how many
Ongoing reports of sexual harassment and sexual assault in the cultural sphere have underscored the
The Monuments Men, a movie based on the book by Robert M. Edsel and Bret Witter, centers on a World
If you ask someone to name five artists, they will likely name prominent male artists, but how many
As a photograph of a scene from a Federal Theatre Project Living Newspaper production, Shadow of the
With Disguise: Masks and Global African Art just a month away, we’re looking at—and through—m
Over the course of five years more than 400 volunteers traveled to The Dinner Party studio in Santa
What does it mean to have a seat at the table? Who gets to decide? Judy Chicago and her team evidenc
Having settled in Paris in 1960, Barbara Chase-Riboud was physically removed from the Black Arts Mov
Betye Saar’s The Liberation of Aunt Jemima: Cocktail combines the iconography of the Black Power Mov
Created in the late 19th century in Shiraz, Iran, this object is one of four large panels from a dec
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