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“One of my favorite works in the Museum’s collection is this soothing, yet expressive, paintin
“William William’s portrait of Deborah Hall is a constant presence in the Conservation Lab whi
“I’m missing the Weil-Worgelt Study, the Art Deco Period Room on the 4th floor Decorativ
“In working with Access programs, I’ve been learning a lot about how people with disabil
“When I wanted to see freedom captured, I always went to the Brooklyn Museum to see Mickalene
“In Out of Place: A Feminist Look at the Collection more than half of the 60+ artworks were on
“I remember when I first saw this series on view in our Ancient Egyptian art galleries, I was
“This has brought us time to reflect and be thankful for simple, yet extraordinary things, tha
“As I’m spending more time than ever in my Brooklyn apartment, I find myself thinking ab
“El Anatsui transforms discarded bottle caps into these monumental, resplendent, shimmering sc
“One of my favorite works in the Museum’s collection is Fred Wilson’s striking Grey Area (Brow
“Bob Thompson’s work always resonates with a look backward—towards European Renaissance
“Byron Kim’s Sunday Paintings represent the Brooklyn-based artist’s weekly ritual
“Kiki Smith feels like such a necessary artist at this moment. Coming into her own creatively
Social distancing is hard, but it doesn’t mean we can’t stay connected or inspired. Starting today w
“This circa 1935 portable phonograph is featured in the entrance to Studio 54: Night Magic. To
“There are so many constants throughout time: the sound of laughing children, the smell of bre
“I am thinking of Winter Scene in Brooklyn by Francis Guy and the complicated feelings this tw
“This Spacelander Bicycle always makes me smile. It was never economically feasible to produce
“In this time of social distancing, I’m thinking of those who carry sickness as a constant pre
“The Decorative Arts department is working on many exciting projects for visitors when the
“I often passed by this piece while en route to several parts of the Museum, and it&rs
“I speak for myself and my department, the Digital Lab, that Giovanni della Robbia’s
“This painting is set as my computer’s desktop background at the Museum. As a sp
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